Essay Writing
1. Introduction
2. Style
3. Thought
requirement
• Word choice
• Phrases
• Sentences
4. Paragraph
writing
5. Process
6. Kinds
1. Introduction
It’s
generally believed that without inspiration, without a magical source, writing
is next to impossible. When we see an excellent piece of writing, we tend to
attribute that excellence to inspiration or some superhuman guidance. We
strongly believe, wrongly of course, that we are not blessed [inspired] and so
we will not be able to write. But the truth of the matter is that even
inspiration can achieve nothing without sustained perspiration.
It’s
also generally believed that without an inborn talent, writing is next to
impossible. When we see a remarkable piece of writing, we tend to attribute the
remarkableness to the innate talent of the writer. We strongly believe, wrongly
of course, that we are not blessed [talented] and so we will not be able to
write. But the truth of the matter is that even talent can achieve nothing
without hard work.
An
invisible inspiration there may be, an inborn talent there may be in the case
of Shakespeare, T. S. Eliot, Kalidasa, Kambar, Thiruvalluvar, Premchand, Bankim
Chatterji, R. K. Narayan. But even they could not have been what they have been
to this world and to themselves without sustained motivation and without
sustained hard work.
All
human beings, including you and me, do possess the ability to communicate. For
this ability to flower and blossom and share its fragrance, motivation to
communicate should draw it out and hard work through incessant practice should
culminate in writing. All of us may desire to write but do we all possess
motivation, that is, desire coupled with involvement? To write, we must feel
involved, we must feel deeply. We must feel the joy and the pain of others, we
must become part of their experience, their pain, their joy. And then put this
pain and joy in writing. Keep writing, keep writing, keep writing, keep
practising. Revise, edit, write, revise, edit, write. And you will feel
satisfied with your writing sooner than later.
Motivation
and practice then are the bases
(requirements) for a piece of writing. Inspiration and talent are only
supportive. With motivation and practice, it is possible to produce good
pieces of writing. And with inspiration and talent, it will be possible to
produce writing that will stand the test of time.
If writing were an impossible task, if
people didn’t understand matter in print, there would be no literature, there
would be no libraries—personal and public. As you know, thousands of books
[including e-books] are being published every day, thousands of articles are
appearing in journals and magazines every moment. What does this suggest? That
you don’t have to lose heart if you are serious about writing or if you cannot
escape from communicating in writing. Only you need to be as careful as you
possibly can and leave the rest in the hands of the reader!
Jokes apart, it is possible to
express your ideas clearly enough for others to read them and even enjoy them.
But
first let us become good writers. For this, motivation [=desire+involvement]
and practice [=non-stop hard work] are more than enough. And all of us
are capable of being good writers.
Self
doubt is self destructive. Let’s have faith in us, let’s be motivated, let’s
practise.
The
rest will follow soon enough.
2. Style
Style means different things in different
contexts. In ‘lifestyle’, it refers to the way we live or the way we lead our
lives. ‘Style’, with reference to dress, talks about a particular design. When
we say, “we won in style,” we mean we played elegantly and the standard of the
game was very high. The word also refers
to the way a particular author or writer uses a language. Writers differ
in their styles. There is no specific pattern that is common to all writers.
However, all writers should reflect in
their writing certain features related to style.
1. clarity in thought and expression
Writers should choose lexis and structure carefully so that readers are
not confused and
receive the messages as intended.
2. brevity in expression
Writers should be able to say what they want to in the minimum number of
words.
3. the audience and adaptability
Of course, writers don’t write for their own satisfaction. They aim to
reach a particular
group of people. Writers cannot use technical jargon when they want the
general public
to read their articles. They should not turn philosophical when their
audience are
children. They should be formal in their expressions where formality is
a necessity.
As they write, they should thus bear in mind the intimacy level, the
status, the
knowledge level, the comprehension ability of the audience and adapt
themselves to
suit the audience.
3. Thought
requirement
To
express thoughts, ideas, doubts, feelings and emotions, we require words,
phrases and sentences. With the help of right words, phrases and sentences we
can achieve clarity and economy.
• Words and
phrases
· use words that most readers can understand without the help of a
Dictionary
note: People wrongly think that
using words that most readers do not understand is a sign of being
knowledgeable [‘erudition’].
Use
‘very careful’ for “fastidious”,
‘confused’ or ‘embarrassed’ instead of “disconcerted”,
‘anxiety’, ‘shock’, ‘surprise’, not
“consternation”
‘perfect’ in place of “ impeccable”
‘reject’ for “repudiate”
‘delay’ instead of “
procrastinate”
‘destroy’ or ‘defeat’ for “annihilate”
‘ disgusting’ instead of “loathsome”
‘ negative’ in place of “adverse”
‘think carefully’ instead of ‘circumspect’
‘inactive’ or ‘without
enthusiasm’ for “torpid”
‘wrongly
think’ instead of ‘misplaced notion’
· use familiar words for
jargons
Again, professional people wrongly think that
one way of showing their technical knowledge to the public
is through using jargon.
Jargons are
specific words used by people in a particular line of work. Hence when you
write for a general audience it is better to avoid jargons as they might not be
understood or they might be confusing.
For example, positioning
in general may mean locating, spotting, placing. But
when marketing professionals use it they
mean ‘deciding where your product fits in, and how it should be perceived, in
relation to its competitors.’
Or
In the sentence
‘The new Industry has created several indirect jobs’, indirect job
is a jargon, which refers to the jobs created in the rest
of the economy as the result of
purchases of goods and services by the employees in a given industry
and companies in the industry. Unless readers know this meaning they my not understand the sentence
correctly.
· use euphemisms and slang only when you
feel they are necessary
Euphemism is
an expression that conveys an idea or message in an indirect manner and
is used where politeness is necessary or where direct communication would
offend.
When someone says ‘You’ve been a fool’,
it is a direct or straightforward statement. When you hear ‘you’ve not
been very wise’, it’s polite statement, which can also be thought of as
a euphemism. ‘I’ll see that he bites the dust’ is a euphemism, meaning ‘I’ll see that he’s
defeated or destroyed.’ The first sentence hides the emotion which is clearly
revealed in the second.
‘Slang’ refers to expressions used more
in speech than in writing. These expressions are special to specific groups of
people having the same jobs, backgrounds or interests. They express strong
emotions. ‘Why did you chicken out?’ contains a slang. ‘Croaked’ in ‘My
old man croaked last night’ is a slang meaning ‘died’. ‘Booze’ in ‘I’ll get
some booze for tonight’ is another slang expression for ‘alcohol’. Slang
expressions are not generally used with those who do not form part of the group.
When used with people who are outside the group, they might be thought to be
offensive. As non-native users of English, we should avoid using slang
expressions.
The word ‘euphemism’
comes from the Greek word euphemismos/ euphemizein. This Greek word is
derived from ‘eu’ meaning ‘good’ or ‘well’ and ‘pheme’ meaning
‘speech/speaking’ and thus means “auspicious/good/fortunate/kind speech”.
‘Eupheme’ is the opposite of
‘blaspheme’[=evil speaking]. It was believed that by speaking only words
favourable to the gods or spirits, the speaker could receive good fortune.
Euphemisms are very
common in public relations or politics because people involved in these two
professions can always defend their declarations and because making enemies
will only ruin careers. However, they are also used in general English. They
are often in the form of idioms. So, you’ll not find in dictionaries
expressions specifically titled euphemisms.
It’ll be interesting to
know that there are several euphemistic expressions for death. ‘he’s at rest’,
‘she passed away’, ‘the deceased’, ‘the departed’ are a few euphemisms.
People believed that using the word
‘death’ would draw ‘Death’s attention’ and death would result. Instead of
saying ‘one is dying’, ‘one is fading quickly’ or ‘the end is near’ is
used.
‘To give up the ghost’ is
another euphemism for death. ‘Kick the bucket’ meaning ‘die’ is no longer in
use.
‘Terminate’, ‘waste’ or
‘do someone in’ are euphemisms for ‘killing’. ‘Find a friendly bush’, ‘answer
the call of nature’, ‘spend a penny’ are euphemisms for urinating or
defecating. ‘Donkey’ was once a euphemism for ‘ass’. The word ‘retarded’ is
avoided and instead ‘mentally challenged’ or ‘special’ is used to refer to
those unfortunate children. Similarly, ‘lame’ became ‘crippled’ which became
‘handicapped’ which was replaced by ‘disabled’ which is now referred to as ‘differently-abled’.
‘His clothes have seen better days’ is no longer preferred to ‘his clothes are
shabby’.
· use
plain phrases for clichés
A cliché is a
phrase that has been so overused that it has lost much meaning and is no longer
interesting.
There are
hundreds of clichés. Most of them can be found as idioms in a dictionary. Here
are a few:
A bird in the hand is worth two in the
bush
Beauty is in the eye of the beholder
Bird's eye view
Bite the hand that feeds you
From the bottom of my heart
Head and shoulders above
All at sea
a dime a dozen
a good rule of thumb
a good rule of thumb
a half-baked idea
a shot in the dark
ace up his sleeve
all talk and no action
· use simple words instead of foreign words and phrases
There was a time
when people thought that using foreign
words was a sign of education. But it is no longer so. Instead of
“tete-a-tete”, use ‘private talk’. Replace ‘modus operandi’ with ‘the
way the thief had operated’ in “The police could see in the evidence the modus
operandi of the thief”.
· Use Active voice
In general,
active voice is preferred to the passive as it makes the sentence more direct
and concise. Passive voice is used when the doing is the subject, when the
does is obvious or when the doer is considered unimportant.
· use specific and concrete words for elusive and vague words
Elusive and
vague words will only confuse and bore the reader. Using specific words will
give the reader a better picture of what you want to convey.
Avoid: A lady rushed into the room.
Use: A lady hurried into the room.
· be brief and concise
The lesser the
words, the better the clarity. Verbosity and duplication of words will only add
to the length of the passage.
Avoid: The new tax law could cause losses for both the buyer and for
those who sell.
Use: The new tax law could cause losses for both seller and buyer.
Avoid: Just because the dog was a pedigree, he bought it.
Use: He bought the dog because of its pedigree.
The following
list contains some of the wordy phrases and equivalent words for substitutions:
Avoid
use
adequate number
(of)
enough
adjacent to
close to, near, next to, beside, by
almost all
most
along the lines
of
close to, like, resembling, similar to, such
an
estimated
about, almost, around, close to, nearly, or so,
roughly
arrange to
return
return
as a
consequence, as a result so, then
as a consequence
of, as a result of because, because of, since
as long as
if, since
as regards about, as for, for, in, of, on, over, to, with
assuming
that
if
as well as and,
also
at all
times
always
at present, at
the present tine, now, today
at this point in time, as this time
at the end
of
after
because of the
fact that
because, since
the fact of the
matter is
actually
by the name of named,
called
· use abbreviations, initialisms, acronyms known to
most people
1.An abbreviation is a shortening
of a word or phrase:
St. = Saint Mr =
Mister Dr = Doctor
e.g. = exempli gratia
esp.=especially
i.e. = id est NB=nota bene
2. An initialism is an abbreviation using first letters of each word
in a phrase:
ATM=automatic teller machine
UFO=unidentified flying object
NRI =non-resident Indian SMS= short message service
DNA=deoxirynucleic acid ID
= identity document
PC =personal computer/police
constable CDs=compact disks
ISO=international organization of standards PTO=please turn over
ESP=extra-sensory perception
FAQs=frequently asked questions
MNCs=multi-national companies
RSVP=reply please [repondez s’il vous plait]
GMT=Greenwich mean time
LCD=liquid crystal display
3. An acronym is an abbreviation that forms a word:
RAM=Random Access Memory
WHO=World Health Organisaiton
PIN =personal identification
number VAT=value added tax
BASIC=beginner’s all-purpose symbolic instruction code
SAT=scholastic achievement/aptitude/assessment test
COBOL=common business oriented language
ASEAN=Association of South East Asian Nations
SAARC=South Asia Association for regional cooperation
NATO[in British journals—Nato]=North Atlantic Treaty Organization
AIDS=acquired immune deficiency syndrome
ICQ =I seek you
IOU =I owe you
Sae=stamped/self-addressed envelope
scuba=self-contained underwater breathing apparatus
laser=light amplification by stimulated emission of radiation
radar=radio detection and ranging
snafu=situation normal; all fouled up
________________________________________________________________________
Some internet initialisms
BG=big grin, AAMOF=as a matter of act, ASAIR=as far as I remember,
AISI=as I see it, ASAP=as soon as possible, B4=before,
B4N=before now, BC=because,
BBL=be back later, BBS=be back soon, BTW=by
the way, CUT=see you tomorrow,
CMIIW=correct me if I’m wrong, CYO=see you
online, DL=download,
EOM=end of message, FYI= for your
information, GF=girl friend, IOW=in other words,
IC=I see, LMK=let me know, NC=no comment,
NN=nothing new, RO=read on,
SYS=see you soon, TA=thanks again,
TIA=thanks in advance, TY=thank you,
TWIMC=to whom it may concern, U2=you too,
YW=you’re welcome
121=one to one, ‘r’ for are
Avoid this in general writing.
________________________________________________________________________
· provide
examples
Examples are
excellent tools that develop and express ideas, support viewpoints, gaining and
sustain readers attention. Your example may be an anecdote, or data or even be
a personality. You may use anything that will help you to express your support
your thoughts.
· use
details
By using details
you may elaborate, explain, or support your views and make your writing vivid.
· gender bias
It’s generally accepted now that words
indicating gender [sex] should be avoided because they unnecessarily
discriminate between a man and a woman in areas of activity that are common to
both. Actor is used now as a common noun for both men and women who
pursue ‘acting’ as a profession [Actress is no longer in use]. ‘Sports
person’ has replaced ‘sportsman’ or ‘sports woman’. ‘Chair person’ or ‘chair’
has replaced ‘chairman’. We use ‘lay person’ for ‘layman’.
Look at these sentences:
1. Everyone thinks he has a right
to decide his future.
2. No one need blame himself for
the incident.
3.
Nobody in his senses will reject this offer.
4.
Has anybody lost his camera?
5. Every parent must provide for his
family.
6. The borrower needs two guarantors to
support his application.
7. Either he or she will
have to change his or her attitude.
8. If a student fails to submit his
assignment today he will not be allowed to continue the
course.
Except sentence 7, others use ‘male’
pronouns as substitutes for the ‘neuter’ subjects. Sentence 7 uses pronouns for
both sexes to avoid gender bias. Today, however, ‘they’, ‘their’, ‘theirs’ are
being used.
· Sentences
In the previous subsection, you learnt the
need to choose words and phrases carefully so that your writing can be
effective. We need to do one more thing. We need to take care how we construct
our sentences to help readers understand without any difficulty.
Sentences
are effective
· when they are short
‘Gender bias is a sign of male
domination’
is shorter and hence more effective than
‘It’s now understood that gender bias is a sign of male chauvinism.’
· when they are broken into smaller ones
‘Terminator technology was a destructive technology because
it not only deprived the farmer of fertile seeds for the next
crop, not only because the seeds were self-terminated, but also
because the neighbouring farmer also lost his seeds through
cross-pollination between the Genetically Modified Organism’s
pollen with the eggs of his plants.’
This sentence is too long to comprehend.
For easy comprehension it could be broken into shorter sentences:
‘Terminator technology was destructive. The GMOs
[Genetically Modified
Organism] were self-terminated.
They also destroyed the eggs of the plants through cross-
pollination. Thus farmers had no fertile seeds for the next
crop.’
· when you use minimum number of words
See the tabulated list of phrases and words in a previous page.
· when your message is directly conveyed
The message is indirectly stated in
‘It’s now understood that gender bias is a
sign of male chauvinism.’
But it’s preferable to be direct
‘Gender bias is a sign of
male domination.’
‘he is a miser’ is always
preferable to
‘he’s been known to count his
pennies.’
Sentence construction—requisites
requisite
1 --- words functioning as different parts of a sentence
We need words as the first requisite to
form a sentence. We call these words 1. nouns [pronouns], 2.verbs, 3.
adjectives, 4. adverbs, 5. connectives, 6. prepositions, 7. articles
8. conjunctions.
The lawyer handled the
available evidence skillfully to win the case.
7 1 2
7 3 1 4 2 7
1
As soon as they realised
that, the insults and the fights about Dana increased.
5 1 2 1
7 2 8
7 2 6
1 2
________________________________________________________________________
requisite
2 ---sentence patterns
We use words [1 to 8] in a particular
sequence to form sentences. This particular sequence is known as word order.
The word order in the English language is as follows:
1.
SV[i] 2. SV[i]C 3. SV[i]A
4. SV[t]O 5. SV[t]OO 6. SV[t]OA
7.SV[t]OC
note: S=subject V=verb [V[i] =verb intransitive V[t] =verb transitive]
O=object C= complement A=adverbial
Thus, a sentence generally begins with a subject
followed by verb and then other words.
________________________________________________________________________
requisite
3 ---sentence kind [meaning]
1. statement sentence
: He works here.
2. question sentence
: Does he work here?
3. exclamation sentence : What a worker!
4. command sentence
: Don’t talk!
5. request sentence : Please help me lift this box.
________________________________________________________________________
requisite four ---sentence form [structure]
1. simple sentence : The baby slept.
sentence
Despite my best efforts, I couldn’t succeed.
phrase
sentence
As a parent, I can’t accept your argument.
phrase sentence
2. compound sentence : She
opened the door and let the stranger in.
sentence sentence
He tried hard but [he]was unsuccessful.
sentence
sentence
Accept the order
or resign.
command command
It was getting dark, therefore we went home.
sentence sentence
Here, two independent sentences
are joined together with ‘and’, ‘but’, ‘or’,
‘therefore’. There are
several others.
3. complex sentence : When I reached home, I found
the door locked.
subordinating
clause main clause
Though
I tried hard, I failed to convince her.
subordinating clause main clause
4. compound-complex
sentence : Even though the
government did its best to help,
subordinating
clause
it reached only a few of those who survived, and
the rest are like a ship without a rudder.
main clause
with two main clauses
________________________________________________________________________
requisite five --- approrpiacy [choice of
words]
Please refuse the following
candidates. [wrong] I refused
the accusation. [wrong]
Please reject the following candidates. [right] I denied the accusation. [right]
________________________________________________________________________
requisite six--grammaticality
Joseph coming now. [wrong]
Joseph is coming now. [right]
Everybody are coming. [wrong]
Everybody is coming. [right]
________________________________________________________________________
requisite seven ---acceptability
The table wanted to marry the chair.
This sentence is grammatically right but
not acceptable because ‘inanimate things’ can not feel.
________________________________________________________________________
definition of sentence
A sentence is a string of words appropriate
to the thought to be expressed in a grammatical and acceptable order.
4. Paragraph
writing
Paragraph Development—components
Learning to
write a paragraph will help us to write good essays, articles, or papers. A
paragraph can be defined as "a group of sentences or a single
sentence that forms a unit" (Lunsford and Connors, 116). A paragraph
may be a single sentence (as in media reporting) or a page or it may even be a
word, especially in conversations.
The essential
features of a paragraph are a) topic sentence, b) supporting sentences c)
closing sentence, d) unity and coherence
What is a
topic sentence?
Topic sentence
is also known as a ‘thesis statement’ in American English. It is a sentence
that that conveys or sums up the main idea of a paragraph. In other words, it
informs the reader what the paragraph is about.
Where will a
topic sentence be?
Usually the
first sentence of a paragraph will be the topic sentence. But it can be in the
middle or at the end of the paragraph or in both places. In some paragraphs the
topic sentence will only be implied. (See samples 5 to 12 in the next few
pages.)
How do we
write a topic sentence?
If you have an
essay topic, filter the theme into a question. For example, if your topic is
‘Write an essay on the possible benefits of computer aided language learning’
change this into a question, ‘What are the possible benefits of computer aided
language learning?’ Once you have a question your essay should answer it. Now
write a sentence that would answer the question.
‘The
possible benefits of computer aided language learning are ….’
Or
you may write
‘There
are several advantages in computer aided language learning.’
If you were to
choose a topic for an essay it is always better to choose a topic that you are
familiar with or one that would be of interest to the reader or a theme that is
in vogue. Whatever your option is, you still need to frame a thesis statement
or a topic sentence.
For example, you
may wish to write an essay on ‘Jatropha plantations’. What you have decided
is just a topic for an essay. It is broad and vague, you need to make it
more focused. If you have some knowledge of the topic, you’ll know that
planting Jatropha in agriculture lands or wastelands will not only get
money to the farmers but it also leads to monoculture and shrinks
biodiversity of the land. So you need to talk about both the positive and
negative aspects.
Now you may
write your thesis statement as
‘There are some
negative and positive aspects to the Jetropha Planataions’.
But it is still
a weak thesis statement because it fails to take a position and also the phrase
“negative and positive aspects” is not specific.
You can make it
focused by rewriting it as ‘Because Jetropha Planataions lead to monoculture and loss in biodiversity, they
pose a potential danger to our environment’. This statement takes a stand and
also states the idea clearly.
Supporting
sentences are sentences that follow the topic
sentence. They develop and support the central idea of the paragraph with
details, facts in the form of elaborations, explanations and examples.
Closing
sentence, which appears as the last sentence in a
paragraph, usually reiterates the main idea of the paragraph. In an essay, the
end sentence of a paragraph should act as a link to the next paragraph.
requisites of good paragraph writing
requisite
1 --- paragraph size (length)
The size of a paragraph can be just one
word, one phrase, one sentence or some or several
sentences. See the examples below:
sample 1
This is communication age. There is information explosion all around
us. In the past, library books were
perhaps the only source of information or knowledge, besides the
teacher. But today any number of source are
available. Books, magazines, journals, the television, video cassettes,
the computer and CDROMs. Even newspapers which were till recently reporting
only news have become carriers of specialized information and disseminate this
through their supplements and magazines.
Sample 2
Let
me begin with the conclusion. Success or failure is determined to a large
extent by performers other than us in the human drama we are part of.
Learners,
syllabus designers, examining bodies, to mention a few. Besides, success and
failure express values and are hence relative terms. We have our own pet
definitions and descriptions. However, perform we mu st for we are committed to
a profession.
Sample 3
The
computer can become a threat to man. It can endanger his survival and privacy.
It also offers
excellent
encouragement for unethical or criminal activities. It can worsen the
unemployment problem
as
employers prefer the computer and the computer controlled robots to humans for
obvious reasons.
The
information storage facility the computer provides has led to collection of
personal information
about
individuals and storage of this information in data banks by several employing
agencies. If care
is
not exercised during data gathering, data integrity may suffer. That is,
questionable or imperfect
methods
may be employed; as a result incorrect or incomplete data may be stored, and
this may become
permanent
source and used for any given purpose. Such use of defective information could
affect an individual’s peace, happiness or career ambitions. Besides, no
individual could have private life; his life
would
be an open book for anyone to read. More importantly, there is this lurking
danger that anyone,
with
the right password, could enter the data bank, add, delete, or change the data
to his liking to create
false
or misleading data. Even money in banks is no longer safe from theft or
manipulation. Anyone can
add, delete or change monetary transactions
and thus erase and rewrite the data; of course, such fraud
would
be detected but only days after the theft has been committed. If this is
criminal, an unethical
Activity is the unscrupulous piracy of software. It is
possible for anyone to make unlawful copying
and
still escape punishment.
Sample 4
“ I
shouldn’t be surprised. By feeding it, I
merely postponed……If it hadn’t died
today…
2 Tomorrow.
3 He bit his lip, grieving as he set
the small corpse back on the floor. And felt guilty
because he grieved. A Carthusian was supposed to shut out all worldly
distractions.
God alone mattered. The mouse had been temptation that he should have
resisted.
Now God was punishing him, teaching him why he shouldn’t become
infatuated
with transitory creatures.
4 Death.
5 Drew shuddered. No, I wouldn’t change
anything. The mouse was fun to have
around. I’m glad I took care of it.
6 His eyes stung, making him blink
repeatedly as he stared down at his lifeless
friend.
7 Terrible thoughts occurred to him.
What should he do with the body? For sure,
he wasn’t going to have a custodian brother dispose of it, perhaps even
dump it in
the trash. The mouse deserved better. The dignity of burial.
8.But where? Through misted vision, he
glanced toward his workroom window.
Sunset had turned to dusk, casting his garden into a shadow.
9.A cedar bush grew in a corner in the
wall. Yes, Drew thought. He’d bury Stuart
Little beneath the shrub. An
evergreen, it lived all year. Even in winter, its color
would
be a reminder.
10.His throat felt swollen, aching
each time he swallowed. Thirsty, he reached for his
cup of water, raised it toward his lips, glanced past it toward the
thick slab of bread
in his bowl.
11.And paused.
12.His spine began to tingle.
Sample 1 and sample 2 paragraphs have six
sentences each. The third sample has 14 sentences. Sample 4 is an extract taken
from “The Fraternity of the Stone” by David Morrell, New English Library [U.K.
edition 1987]. You can see it contains twelve paragraphs. Paragraphs 2 and 4
are one word paragraphs. Paragraph 11 is a two word paragraph.
Paragraph 12 is one sentence paragraph.
So, whatever be the number of sentences, a paragraph
is a physical expression of one unit of thought [in a word, in two
words, in one sentence or in several sentences].
________________________________________________________________________
requisite two --- organising the thought in
the paragraph
When you write an article or an essay, it
will contain a lot of sentences. These sentences develop the topic by breaking
it into some or several main thoughts and by breaking each of these main
thoughts into several major and minor details.
An essay or article develops a topic into
many paragraphs and each paragraph develops one main thought of the topic with
major and minor details.
Topic:
• introduction
• paragraph one
•
main thought (topic sentence)
•
major details (derived from topic sentence)
•
minor details (supporting major details)
• paragraph two
• paragraph three
• paragraph four
• conclusion
A paragraph generally has one main thought
in one or two sentences followed by some or several sentences. The main idea
sentence is known as topic sentence. This topic sentence tells us what
the paragraph is about and is broken up conveniently in some or several
sentences as major and minor details. These details are in the
form of expansion, explanation, elaboration, repetition, examples, comparison
and contrast.
The topic sentence is generally the first
sentence of a paragraph. It can also be found in the middle of a
paragraph. Or it may be the last sentence of a paragraph. Or again it
may be implied. Let’s look at a few sample paragraph to understand all
these:
Example one
1There are many different kinds
of musical instruments. 2 They are divided into three main classes
according to the way they are played. 3 Those that are played by blowing
air into them are called wind instruments. 4 These are made of wood,
brass and other materials. 5 The family of wood instruments includes the
flute, the clarinet, the bassoon, the trumpet, the mouth organ and the bagpipe.
6 The instruments that are played by banging or striking them are known
as percussion instruments.7An example is the drum. 8 Then there
are stringed instruments which are played by plucking the strings or by drawing
a bow across the strings. 9Examples of this are the the guitar, the
violin and the cello.
[an adapted version of a passage on p.55
in Michael J. Wallace’s Study Skills in English, CUP 1988]
• Statement of topic: main idea—1There are many different kinds of musical
instruments.
2 They are divided into three main classes
according to the way they are played.
• Development of topic
•Extension of
S.1:
major detail— 3 Those that are played by blowing air into
them are called wind
instruments.
minor details—4 These are made of wood, brass and other
materials.
minor
details
of S.4 —5 The family of wood
instruments includes the flute, the
clarinet,
the bassoon, the trumpet, the mouth organ and the
bagpipe.
—6 The
instruments that are played by banging or striking them
are known as percussion instruments.
— 7An example is the drum.
—8 Then
there are stringed instruments which are played by
plucking the strings or by drawing a bow
across the strings.
—9Examples
of this are the the guitar, the violin and the cello.
Example two
1The computer can become
a threat to man. 2 It can endanger his survival and
privacy.
3 It also offers excellent encouragement for unethical or criminal
activities. 4 It can worsen the unemployment problem as employers prefer
the computer and the computer-controlled robots to humans for obvious reasons. 5The
information storage facility the computer provides has led to collection of
personal information about individuals and storage of this information in data
banks by several employing agencies. 6 If care is not exercised during
data gathering, data integrity may suffer. 7 That is, questionable or
imperfect methods may be employed; 8 as a result incorrect or incomplete
data may be stored, and this may become permanent source and used for any given
purpose. 9 Such use of defective information could affect an
individual’s peace, happiness or career ambitions. 10 Besides, no
individual could have private life; 11 his life would be an open book
for anyone to read. 12 More importantly, there is this
lurking
danger that anyone, with the right password, could enter the data bank, add,
delete, or change the data to his liking to create false or misleading data. 13
Even money in banks is no longer safe from theft or manipulation. 14 Anyone
can add, delete or change monetary transactions and thus erase and rewrite the
data; 15 of course, such fraud would be detected but only days after the
theft has been committed. 16 If this is criminal, an unethical activity
is the unscrupulous piracy of software.17 It is possible for anyone to
make unlawful copying and still escape punishment.
In this paragraph, S.2 and S.3 are
extensions of S.1. S.4 and S.5 elaborate two parts of S.2. S.9 expands on the
kind of danger expressed in S.2. S.10 and S.11 elaborations of the second part
of S.2. S.6, S.7, S.8, S.12, S.16, and S.17 expand and elaborate the ‘unethical’ aspect of S.3. S.13, S.14 and S.15
talk about the ‘criminal’ aspect of S.3.
• Statement of
topic: main idea—The computer can become a threat to man. S1
• Development of topic
•Extension of
S.1:
major
detail—It can endanger survival...S.2
—The information
storage facility …led to collection of personal
information …y
employing agencies. S.5
minor details—It can worsen the
unemployment... S.4
— Such use of
defective information could affect an individual’s peace,
happiness or
career ambitions. S.9
major
detail— and privacy S.2
minor details—Besides, no individual could
have private life; S.10
—his
life would be an open book for anyone to read. S.11
major detail—It also offers excellent encouragement
for unethical or criminal activities.
S.3
minor details—
If care is not exercised during data gathering, data integrity may suffer.
S.6
—That is, questionable or imperfect
methods may be employed; S.7
—as a result incorrect or
incomplete data may be stored, and this may
become permanent
source and used for any given purpose. S.8
—More importantly, there is
this lurking danger that anyone, with the right
password,
could enter the data bank, add, delete, or change the data to
his liking to
create false or misleading data. S.12
—If this is criminal, an
unethical activity is the unscrupulous piracy of
software. S.16
—It is possible for anyone to
make unlawful copying and still escape
punishment. S.17
I
hope that from these two examples, you’ve learnt how to support a main idea with
major and minor details through expansion, elaboration and examples.
__________________________________________________________________________
Topic
sentences at the beginning, the middle and the end
first
sentence as topic sentence
Sample 5
topic 1 A management control system
in an organization has
sentence three
functions to perform. 2. Its overall functions → [elaboration of S.1]
relate to several areas of performance of workers.
elaboration ¬ 3 Any control system used
by a management has, as one of
of S.2 of its functions, measurement of performance of workers.
4It tries to understand and estimate how
much work[quantity]
has
been done and how well[quality] it has
been done. → [expansion of S. 3]
precondition¬ 5 Of course, it will need criteria to
judge performance.
S.1 judge performance. 6 Otherwise, it cannot simply function. → [elaboration of S.1]
elaboration ¬ 7. These criteria are prepared by an arm of
the management
of S.5 other than the control system. 8 Now,
with the help of the → [expansion
of S. 2]
criteria, performance is
measured throughout a given period.
Expands S. 8¬ 9 Once the process of measurement is complete, the process
of evaluation begins. 10.
Evaluation process matches
measured performance with the
criteria and conclusions → [expands
S. 9]
are drawn about how well or how
poorly workers have performed.
elaboration 11 And depending on the nature of the
conclusions, steps are
of S.10 suggested
to improve future performance. 12 In other words,
workers
are advised as to how they should improve their performance. [paraphrase of
S.11]
S.1 is the topic sentence and S.2 is an
expansion or a major detail.
S.3 elaborates and is a minor detail of
S.2. S.4 expands and is a
minor detail of S.3. S.5 is an elaboration
and a major detail of
S.1. S.6 explains and is a minor detail of
S.5. S.7 is a major detail
of S.1. S.8 is a minor detail of S.7. S.9
is a major details of S.1.
S.10 says more about S.9. S.11 is a major
detail of S.1. S.12 is a
repetition or paraphrase of S.11.
Sample 6
1. Marie Curie was a loving mother. 2.In
midst of her laboratory work, she found
time for her daughter, Irene. 3. She
watched Irene grow; she watched every moment
of this growth. 4. She recorded Irene’s
weight day by day and the appearance of her
first tooth. 5. She records: “ Irene says
‘thanks’ with her hand. She can walk well on
fours. She says, ‘Gogli, gogli, go’…….She
can roll, pick herself up and sit down.”
... 6.Not even a visit to their shed
where Marie conducted her experiments could
detract her from being a mother. 7 “When
Irene did not feel her mother near her at
night would call out for her
incessantly….and Marie yielding to the implacability
of the four-year-old baby, climbed the
stairs, seated herself beside the child and
stayed there in the darkness until the
young voice gave way to light, regular breathing…
In sample 6, S.1 is the topic sentence. S.2
is an expansion and a major detail. S.3 elaborates S.2. S.4 and S.5 are
examples for S.3. Thus S.3, 4 and 5 are minor or supporting details. S.6 is
another major detail and expansion of S.1. S.7 provides an example for S.6.
___________________________________________________________________________
topic
sentence in the middle
sample 7
A paragraph may contain just one
word. Take a look at paragraphs 2 and 4 in sample 4. A
paragraph may contain just one
sentence. Take a look at paragraph 12 of sample 4. It’s also
possible to have a phrase as a
paragraph. Such paragraphs are, however, exceptions; they
rarely occur, and when they do,
they have specific communicative intents. For instance,
in sample 4, paragraphing intimately follows
the line of thinking by Drew, very carefully
reacting to the dead body of Stuart
Little, the mouse. A paragraph usually contains more
than one sentence. You’ve read
several paragraphs in your English textbooks, why, even
in this coursebook. You know that
most paragraphs contain several sentences. There is no
limit to the size of a paragraph.
This paragraph you are now reading contains 12 sentences,
including this one.
In Sample 7, the topic sentence is in the
middle: A paragraph usually contains more than one sentence.
sample 8
One
of the mistaken ideas held by too many programmers is that the documentation
for a program should be written only after the program is ‘finished’. That is a
very dangerous point of view! It will certainly lead to inadequate
documentation and might very well result in an incomplete or incorrect program.
Documentation is continuous process. It starts when we first begin to formulate
a clear problem statement, and continues as we devise a solution, express the
solution algorithmically and code the algorithm as a computer program. The
proper point of view is that documentation is an inherent part of a program. It
is therefore meaningless to assert that documentation should be written after
the program is finished.
[an excerpt from An Introduction to Programming and Problem Solving
with
Pascal by G. Micheal Schenider et al, Wiley Eastern
Limited, 2nd edition]
In
Sample 8, the topic sentence is in the middle: Documentation is a
continuous
process.
________________________________________________________________________
topic
sentence at the end
sample 9
The succession of seed-time harvest, which our earliest
forefathers
learned to recognise, is one of the great blessings of
man; but it also
imposes on him certain duties and cares. A man living in
the temperate
zones cannot have, with his best efforts at agriculture,
a perpetual table
spread before him. He must have daily bread; but the
fruits and grains
and other products of the earth come only at certain seasons. As the
squirrel stores away nuts in the hollow of a tree in
anticipation of the
time when there will be no food at hand, so man must
preserve the
products of the season of plenty for his use in the lean
season of the year.
[Marion Florence Lansing’s “Science through the Ages”, p,50 Harrap
& Company Ltd. 1949]
In sample 9, the topic sentence is at the
end of the paragraph: ….man must preserve the products of the season of plenty for his use in the lean
season of the year.
Sample 10
Let
me begin with the conclusion. Success or failure is determined to
a
large extent by performers other than us in the human drama we
are
part of. Learners, syllabus designers, examining bodies, to mention
a
few. Besides, success and failure express values and are hence relative
terms.
We have our own pet definitions and descriptions. However, perform
we
must for we are committed to a profession.
In sample 10, the topic sentence is at the
end: However, perform we must for we are committed to a profession.
___________________________________________________________________________
no
topic sentence
sample 11
The
two horses had just lain down when a brood of ducklings, which had
lost
their mother, filed into the barn, cheeping feebly and wandering from
side
to side to find some place where they would not be trodded on. Clover
made
a sort of wall round them with her great foreleg, and the ducklings
nestled
down inside it, and promptly fell asleep. At the last moment, Mollie,
the
foolish, pretty white mare who drew Mr Jones’ trap, came mincing daintily
in,
chewing at a lump of sugar. She took a place near the front and began
flirting
her white mane, hoping to draw attention to the red ribbons it was
plaited
with. Last of all came the cat, who looked round, as usual, for the
warmest
place, and finally squeezed herself in between Boxer and Clover;
there,
she purred contendtedly throughout Major’s speech without listening
to
a word of what he was saying.
[an
extract from Animal Farm by George]
Sample 11 has no topic sentence. The main
idea is implied here. It is that the animals were gathering and settling
themselves comfortably in the barn to listen to Major’s speech.
Sample 12
A
humble servant of mankind is the tin can. We destroy it in the
opening
and cast it aside without a look of respect or a thought
of
gratitude for its services. Yet the great Napolean was so eager
for
an article which should perform in some slight measure the
services
it renders that he and the French Government offered in the year 1800 or
thereabouts a prize of 12000 francs to the man who should invent a successful
container for preserving foods in war-time.
[Marion
Florence’s “Science through Ages”]
The writer shares information and
convictions about tin can. No sentence states the topic sentence. It is the
contrast in the our attitude and Napolean’s, hidden in the paragraph, that is
the topic.
________________________________________________________________________
Paragraph
sequencing
Paragraph sequencing can be done in several
ways. That is, sentences can arranged in a particular fashion: a. from specific
statements to a general statement
b. from a general
statement to specific statements
c. spatially d. linearly e. chronologically
a. from
specific statements to a general statement:
sample 13
Now,
Comrades, what is the nature of this life of ours?
Let
us face it: our lives are miserable, laborious, and short.
We
are born, we are given just so much food as will keep
the
breath in our bodies, and those of us who are capable
of
it are forced to work to the last atom of strength; and the
very
instant that our usefulness has come to an end we are
slaughtered
with hideous cruelty. No animal in England is free.
The
life of an animal is misery: this is the
plain truth.
[Animal
Farm by George Orwell]
Sample14
In the village in which I live, there is
a pleasant doctor who is a little deaf. He is not shy about it and he wears a
hearing aid. My young daughter has known him and his aid since she was a baby.
When at the age of two she first met another man wearing a hearing aid, she
simply said, “That man is a doctor.” Of course she was mistaken. Yet if both
men had not worn hearing aids but stethoscope we should have been delighted by
her generalisation. …But she would have been then……on the path to human
knowledge which goes by way of the making and correcting of concepts.
From J Brownski’s Science and Human Values
Sample 15
As teachers, we are part
of the teaching-learning situation.
But we are not the only
people involved in this situation.
There are others like
learners, syllabus designers, examining
bodies. These people have
a say in our success or failure because
it all depends on how they
discharge their assigned duties. We may
work hard, they may not,
and failure will result. There is one more
problem. Is there one
definition of success or failure for that matter?
Learners, for instance,
may look at the end result from a point of view
that is very different
from ours. While we may think we are successful,
learners may not think we
are. As a result, we might lose motivation
and become mechanical. But
we should not lose heart nor should we
give in. Because we
committed ourselves to the ideals of teaching when
we entered the profession.
This commitment, more than anything else,
is a moral one. Whatever
the odds, we must teach to the very best of
our abilities and not
bother about success or failure.
Sample
16
One
of the mistaken ideas held by too many programmers is that the documentation
for a program should be written only after the program is ‘finished’. That is a
very dangerous point of view! It will certainly lead to inadequate
documentation and might very well result in an incomplete or incorrect program.
Documentation is continuous process. It starts when we first begin to formulate
a clear problem statement, and continues as we devise a solution, express the
solution algorithmically and code the algorithm as a computer program. The
proper point of view is that documentation is an inherent part of a program. It
is therefore meaningless to assert that documentation should be written after
the program is finished.
[an
excerpt from An Introduction to Programming and Problem Solving with
Pascal by G. Micheal Schenider et al,
Wiley Eastern Limited, 2nd edition]
In all these four samples, you can see the
writers move from specific statements related to the main idea in the form of
argument and then lead us to the central idea or topic of these paragraphs.
They are in inductive order.
________________________________________________________________________
b. from
a general statement to specific ones
sample 17
Man is the only creature that consumes
without producing. He does
not give milk, he does not lay eggs, he is
too weak to pull the plough,
he cannot run fast enough to catch rabbits.
Yet he is the lord of all the
animals. He sets them to work, he gives
back to them the bare minimum
that will prevent them from starving, and
the rest he keeps for himself.
Our labour tills the soil, our dung fertilizes
it, and yet there is not one of
us
that owns more than his bare skin. You cows that I see before me, how
many thousands of gallons of milk have you
given during this last year?
And what has happened to the milk which
should have been breeding up
sturdy calves? Every drop of it has gone
down the throats of our enemies.
And you hens, how many eggs have you laid
this year, and how many of
those eggs ever hatched into chickens? The
rest have all gone to market to
bring money for Jones and his men…
[from Animal Farm]
Sample 18
There
are many ways of communicating without using speech. Signals, signs,
symbols
and gestures may be found in every culture. The basic function of a
signal is to impinge upon the environment in such a way that it attracts attention,
signal is to impinge upon the environment in such a way that it attracts attention,
as,
for example, the dots and the dashes of a telegraph circuit. Coded to refer to
speech,
the potential for communication is very great. While less adaptable to the
codification
of words, signs contain greater meaning in and of themselves. A stop
sign
or a barber pole conveys meaning quickly and conveniently. Symbols are more
difficult
to describe than either signals or signs because of their intricate
relationship
with
the receiver’s cultural perceptions. In some cultures, applauding in a theatre
provides
performers with an auditory symbol of approval. Gestures such as waving
and hand shaking also communicate certain
cultural messages.
You can see that in these two samples the
writers move from a general statement to specific
statements in support of the topic.
sample 19
The computer can become a threat to man.
It can endanger his survival
and privacy. It also offers excellent
encouragement for unethical or criminal
activities. It can worsen the
unemployment problem as employers prefer the
computer and the computer controlled
robots to humans for obvious reasons.
The information storage facility the
computer provides has led to collection of
personal information about individuals
and storage of this information in data
banks by several employing agencies. If
care is not exercised during data gathering,
data integrity may suffer. That is,
questionable or imperfect methods may be
employed; as a result, incorrect or
incomplete data may be stored, and this may
become permanent source and used for any given
purpose. Such use of defective
information could affect an individual’s
peace, happiness or career ambitions.
Besides, no individual could have private
life; his life would be an open book for
anyone to read. More importantly, there
is this lurking danger that anyone, with
the right password, could enter the data bank, add, delete, or change the data to
the right password, could enter the data bank, add, delete, or change the data to
his liking to create false or misleading
data. Even money in banks is no longer safe
from theft or manipulation. Anyone can
add, delete or change monetary transactions
and thus erase and rewrite the data; of
course, such fraud would be detected but only
days after the theft has been committed.
If this is criminal, an unethical activity is the
unscrupulous piracy of software. It is
possible for anyone to make unlawful copying
and still escape punishment.
sample 20
Let me tell you this project is going to be
a failure. It’s no exaggeration,
I tell you. First, the project is too
ambitious. How can this project hope
to satisfy every section of the society?
Next, the money allocated for this
is too little to see through even one
fourth of this project. Besides, can
politics be kept out of it? Because, has
there ever been serving the public
the motive of any activity? But what takes
the cake is the composition of
the committee to supervise the completion
of the project. The members
are too young and too inexperienced to be
able to see the project to
completion. Any advantages? I see
none.
Like the previous two samples, these two
samples are in deductive order because the writers make a point to start with
and then proceed to prove or deduce it.
________________________________________________________________________
c. spatially
A paragraph is in spatial order when the
writer describes a particular place, a building, a location
or a person and arranges the details from [1] left to right, [2] right
to left, [3] the point of view of importance, that is, most prominent to the
least prominent, [4] one part to another and so on.
Let’s say you visit a zoo or a museum or a
place of historical importance. When you describe your visit to others, you’ll
be using spatial organisation of information.
Or let’s say you go on a tour. You normally
engage a guide to help you understand and appreciate the importance or the
beauty of the places you visit during your tour. The guide’s description will
be spatial in organisation.
Below you’ll find a spatial description of
an old ship:
sample 21
She
was small , old, ugly, dirty cantankerous bitch.
Rust
bloomed like a skin rash in great orange
blotches
all
over her hull. If there had even been any paint on her
upper-works
it had long ago been peeled away and blasted
off
and dissolved by the wind and the rain and the sea. Her
starboard
gunwale
had been badly buckled just aft of the
prow
in an old collision, and nobody had ever bothered to
straighten
it out. Her funnel bore a layer of grime ten years
thick.
Her deck was scored and dented and stained; and a
lthough
it was swabbed often, it was never swabbed thoroughly,
so
that there were traces of past cargoes---grains of corn, splinters
of
timber, bits of rotting vegetation and fragments of sacking---hidden
behind
lifeboats and under coils of rope and inside cracks and joints
and
holes. On a warm day she smelled foul.
She
was some 2,500 tons, 200 feet long and a little over 30 feet broad.
There
was a tall radio mast in her blunt prow. Most of her deck was
taken
up
by two large hatches opening into the main cargo holds. There were
three
cranes on deck: one forward of the hatches, one aft and one in between.
The
wheelhouse, officers’ cabins, galley and crew’s quarters were in the stern,
clustered
around the funnel. She had a single screw driven by a six-cylinder diesel engine
theoretically capable of developing 2,450 b.h.p. and maintaining a service
speed
of thirteen knots.
Fully
loaded, she would pitch badly. In ballast she would yaw like the very devil.
Either
way she would roll through seventy degrees of arc at the slightest provocation.
The quarters were cramped and poorly ventilated, the galley was often flooded
and
the
engine room had been designed by Hieronymous Bosch.
She
was crewed by thirty-one officers and men, not one of whom had a good word to
say for her.
The
only passengers were a colony of cockroaches in the galley, a few mice and
several hundred rats.
Nobody
loved her, and her name was Coparelli.
The description has six paragraphs. They
describe the the ship in spatial order. When
you
look at the paragraphs, the first two paragraphs describe the ship spatially.
The writer
moves from one part to another:
paragraph 1: hull, to starboard, to funnel, to deck
paragraph 2: a. weight, length,
width b. mast c. stern d. engine
paragraph
3: ship’s behaviour on sea in terms of movement
paragraph 4: employees and their attitude
paragraph 5: no human passengers
paragraph 6 : ship’s name
You probably have only a vague idea of a
cargo ship. This passage will introduce you to some new ship-related
vocabulary.
This passage is an extract from Ken
Follet’s “Triple”.
_______________________________________________________________________
d. linearly
A
passage is in linear order when the writer goes from one thing to another in a
single
series of stages.
The topic is to be stated in the first sentence and the rest of the
sentences should
develop the topic stating different aspects of the topic in stages.
The structure should look like this:
a. topic b. develop point
one c. develop point two [and so on] d.
conclusion.
Sample 22
The
animal kingdom can be divided into four categories. The first
category comprises diurnal animals which
are active during the day.
Next, we have the nocturnal animals which
move about at night.
Then we have first of two less known
variety, the crepuscular animals
which are active during twilight hours.
The arrhythmic animals that
move about during and night are a less
known variety. Probably such
a division began when simple and weak
animals began to come out in
the dark to escape from diurnal
predators.
______________________________________________________________________
e. chronologically
Sample 23
When activities or events are described in
order of their occurrence of time, the
passage is in chronological order. That is, earlier events come first,
followed by more recent events.
The Stone Age began in approximately 2
million B.C. and lasted till 3000 B.C.
Its name was derived from the stone tools
and weapons made. This period was
divided into the Palaeolithic, Mesolithic
and Neolithic ages. During the first
period, that is, between 2 million B.C.
and 8000B.C. man learnt to use fire
for heating and cooking. During the
Mesolithic age, that is, from 8000 to
6000 B.C. people made crude pottery, the
first hooks, took dogs for hunting
and developed the bow and the arrow.
During the Neolithic period, that is,
from 6000 to 3000 B.C. man domesticated
animals useful to him and established
permanent settlements. _____________________________________________________________________
three
characteristics of a paragraph: unity cohesion and coherence
We have so far talked, in some detail,
about size, shape, sequencing. There are two more important aspects of a
paragraph.
You now know that a paragraph contains
several sentences. When these sentences express a main idea and elaborate it
with extensions, elaborations, explanations in the form of major and minor
details that are intimately linked to each other and to the main idea, we say
the paragraph has unity. When these
sentences are linked logically at the structure and thought levels, we say the
paragraph has cohesion and coherence. And when a paragraph has all
these, we say the paragraph is well-written or well-developed.
Unity
Unity is concerned with singleness of
thought.
Read this paragrpah
sample 24
1There are many different
kinds of musical instruments.
2They are divided into
three main classes according to
the way they are played.
3Those that are played by blowing
air into them are called
wind instruments. 4These are made
of wood, brass and other
materials. 5The family of wood
instruments includes the
flute, the clarinet, the bassoon,
the trumpet, the
mouthorgan and the bagpipe. 6The instruments
that are played by banging
or striking them are known as percussion
instruments.7An example is
the drum. 8Then there are stringed
instruments which are
played by plucking the strings or by drawing
a bow across the strings.
9Examples of this are the violin and the cello.
[an adapted version of a
passage on p.55 in Michael J. Wallace’s Study Skills in English, CUP 1988]
The main idea of this paragraph is in the
first and second sentences. They both form the topic sentence. The major
details are in sentences 3, 6 and 8. The minor details are in 4, 5 and 7,
second half of 8 and 9.
This paragraph shares information. S1
introduces the topic. S2 informs what
exactly the writer is going to say. S 3, 4, 6 and 8 name and define
instruments and
thus elaborate the topic. S5,7 and 9 provide
examples.
As you can see, the main idea and the
details are properly linked and so the
paragraph has unity.
cohesion and
coherence
These are concerned with relatedness at
sentence and thought levels.
Besides unity, a paragraph needs cohesion
and coherence. These are achieved when the reader is able to follow what the
writer is thinking and can anticipate the next thought as being logically
continuous to the previous. To say it in the reverse order, minor details flow
from major details and major details from the main idea.
The logical sequencing can take place with
the help of several language devices. The most common one is the use of [1] pronouns
[he, she, it, they] to avoid monotonous repetition of nouns. Can you at random
identify pronouns for nouns in the 21 samples? Another one is [2] substitution.
For example, ‘the main idea’ can be substituted with ‘the central idea’ or ‘the
most important idea’ or ‘the topic’. Next one is known as [3] consistency.
This is achieved using appropriate tense, concord, number and gender. Then we
have [4] referring expressions such as ‘this’, ‘that’, ‘these’,
‘those, ‘here’, ‘there’, ‘now’. ‘then’. We use [5] ellipses to
achieve coherence. That is, we connect two sentences by not repeating in
the next sentences parts of the previous sentence. Look at this pair:
Success or failure is determined to a large
sample 25 extent by performers other than us in
the
human drama we are
part of. Learners,
syllabus designers,
examining bodies, for
instance.
Here, the second sentence provides examples
of ‘performers other than us’. Such ellipse helps avoid unnecessary repetition.
We also use [6] ‘linking words’
to connect one sentence with another. ‘Linking words’ are also known as
‘connectives’, ‘sentence connectors’, ‘transition words’ or ‘cohesion markers’.
‘For instance’ in the above example is a linking expression. We can divide
these connectives into two groups: 1. coordinating 2. subordinating. Here is a list:
1. coordinating
[These link two independent sentences]
indicating
1.1 addition [of information]
also, and, and
then, besides, further, furthermore, moreover, additionally,
in addition, not only….. but also, both
….. and ……., similarly, likewise, so,
therefore, too
1.2 sequence [the order in which
things take place or should occur]
first, in the first place, next, second,
last but not least, last, finally, ultimately,
in the end
1.3 explanation
hence, namely, that is [to say], thus,
for instance, for example, indeed, regardless,
it is true, in fact, of course, after all, specifically
1.4 result
therefore, hence, consequently, for that
reason
1.5 choice
or
1.6 condition, exception
under these/such conditions, or else,
with this condition/exception, otherwise
1.7 comparison
in the same way, likewise, similarly
1.8 contrast
but, still, however, and yet, nevertheless, conversely, on the contrary, by
contrast,
on the other hand, otherwise, regardless, even then, even so
2. subordinating
[These convert a main clause into a subordinating clause]
2.1 spatial
where, wherever,
2.2 temporal
after, before, since, till, until, when, while,
as soon as, as long as, by the time,
no sooner……than…….
2.3 condition
if, only if, unless, provided that, on the
provision that
2.4 concession
though, although, even though, despite [the fact
that], in spite of, even if
2.5 causal
because, so, since, in that, in as much as
2.6 purpose
so that, in order that, for fear that
2.7 manner
as, as though, as if
2.8 comparison
more…..than, as…….as , so…..as
List of more transitional phrases from another
perspective:
Illustration
|
Thus, for example, for instance, namely, to illustrate,
in other words, in particular, specifically, such as.
|
Contrast
|
On the contrary, contrarily, notwithstanding, but,
however, nevertheless, in spite of, in contrast, yet, on one hand, on the
other hand, rather, or, nor, conversely, at the same time, while this may be
true.
|
Addition
|
And, in addition to, furthermore, moreover, besides,
than, too, also, both-and, another, equally important, first, second, etc.,
again, further, last, finally, not only-but also, as well as, in the second
place, next, likewise, similarly, in fact, as a result, consequently, in the
same way, for example, for instance, however, thus, therefore, otherwise.
|
Time
|
After, afterward, before, then, once, next, last, at
last, at length, first, second, etc., at first, formerly, rarely, usually,
another, finally, soon, meanwhile, at the same time, for a minute, hour, day,
etc., during the morning, day, week, etc., most important, later, ordinarily,
to begin with, afterwards, generally, in order to, subsequently, previously,
in the meantime, immediately, eventually, concurrently, simultaneously.
|
Space
|
At the left, at the right, in the center, on the side,
along the edge, on top, below, beneath, under, around, above, over, straight
ahead, at the top, at the bottom, surrounding, opposite, at the rear, at the
front, in front of, beside, behind, next to, nearby, in the distance, beyond,
in the forefront, in the foreground, within sight, out of sight, across,
under, nearer, adjacent, in the background.
|
Compromise
|
Although, at any rate, at least, still, thought, even
though, granted that, while it may be true, in spite of, of course.
|
Similarity / Comparison
|
Similarly, likewise, in like fashion, in like manner,
analogous to.
|
Emphasis
|
Above all, indeed, truly, of course, certainly, surely,
in fact, really, in truth, again, besides, also, furthermore, in addition.
|
Details
|
Specifically, especially, in particular, to explain, to
list, to enumerate, in detail, namely, including.
|
Examples
|
For example, for instance, to illustrate, thus, in
other words, as an illustration, in particular.
|
Consequence or Result
|
So that, with the result that, thus, consequently,
hence, accordingly, for this reason, therefore, so, because, since, due to,
as a result, in other words, then.
|
Summary
|
Therefore, finally, consequently, thus, in short, in
conclusion, in brief, as a result, accordingly.
|
Suggestion
|
For this purpose, to this end, with this in mind, with
this purpose in mind, therefore.
|
We can and do achieve coherence through [7]
implications of the writer. As readers go through the written material,
they can follow the thought process of the writer and make logical inferences.
Go back to sample 22 in the previous page. The second sentence gives examples
of ‘a few’ but does not say who the ‘few’ are because the writer expects the
reader to infer who these few are from the previous sentence. Thus, the
coherence is at the thought level. Again, look at this:
A
humble servant of mankind is the tin can. We
sample 26 destroy it in the opening and cast it
aside without
of respect or a thought of gratitude for
its services.
Here, the link between these two sentences
is in the irony between the usefulness of the tin can and our disrespectful
treatment of it.
We use yet another device known as [8] parallelism.
We repeat certain structures and phrases to heighten the effect of the
thought. Such use achieves balance and gives equal importance to two or more
ideas. Here is a sample:
The
power you acquire in this way is much greater and much more
reliable
than that formerly supposed to be acquired by prayer,
because you never
could tell whether your prayer would be
sample 27 favourably heard in heaven. The
power of prayer, moreover,
had recognized
limits; it would have been to ask too much. But
the power of
science has no known limits. We were told that faith
could move mountains
but no one believed it. We are now told that
the atomic bomb can
remove mountains, and everyone believes it.
[Bertrand
Russell’s “The Impact of Science on Society”]
sample 28
Life is about managing. Life is about
managing people in social
contexts or in workplaces. Managing others around us. Managing
family members, neighbours, colleagues, superiors, strangers. Life
can be pleasant, if we can handle or tackle people
helping them,
encouraging them, motivating them, enabling them so that they are
able to draw on their own strengths. Life
can be worth living if we can
offer friendship, affection or love to people so that they feel they are
not all alone in this ‘cruel’ world but do ‘belong’ and evince interest
in themselves and others. Life can
be rewarding if we can help
others
achieve recognition, attain status so
that they grow in self-esteem. Life
can be
accomplishing if we can help others
develop their ‘selfs’ so that
they
reach their final destination of self-realization.
In the following example, parallelism occurs
between paragraphs:
sample
29
It’s generally believed that without inspiration, without a magical
source, writing is next to
impossible. When we see an excellent
piece of writing, we tend to attribute that excellence to
inspiration
or some superhuman guidance. We strongly believe, wrongly of course,
that we are not blessed [inspired] and so we will not be able to write. But
the truth of the matter is that even inspiration can
achieve nothing without
sustained perspiration.
It’s
also generally believed that without an inborn talent, writing is next
to impossible. When we see a remarkable piece of writing, we tend to
attribute the
remarkableness to the innate talent of the writer. We strongly
believe, wrongly of course, that we are
not blessed [talented] and so we
will not be able to write. But the truth of the matter is that even
talent can
achieve nothing without hard work.
____________________________________________________________________
requisites
of paragraph writing
1. The size of a paragraph should be
appropriate to the thought
it is expected to express.
2. A paragraph generally has a topic
sentence and a few more
sentences related to it.
3. A paragraph should have sequencing ideal
to the treatment
of the topic.
4. A paragraph should have unity of thought.
5. A paragraph should be coherent.
________________________________________________________________________
Paragraph
Length
A paragraph may be long or short. It may
contain just one word. It’s also possible to have a phrase as a paragraph. However,
one word or one phrase paragraphs are exceptions; they rarely occur, and when
they do, they have specific communicative intents [See the passage sample 4
under paragraph ‘size’ in an earlier page, you’ll understand what I mean here].
The length of a paragraph depends on what and how much the writer wants to say.
Sometimes a paragraph may grow long because
you start with an idea and instead of completing the paragraph with that idea, you
tend to move on to another idea in the same paragraph. This not only increases
the length but it also shifts focus and strays away. Hence to make the
paragraph effective and short it is better to focus on one idea and
complete the paragraph and discuss another thought in the next paragraph.
However you need to ensure that the paragraphs are linked.
indenting
In the previous page, paragraphs have been
set apart from each other by leaving an extra line of space between them.
The other way of separating paragraphs is to indent the first line of
every paragraph; that is, we start the first line five spaces away from the
margin on the left of a page:
It’s generally believed that without inspiration, without a magical
source, writing is next to impossible. When we see an excellent piece of
writing, we tend to attribute that excellence to inspiration or some superhuman
guidance. We strongly believe, wrongly of course, that we are not blessed
[inspired] and so we will not be able to write. But the truth is that even
inspiration can achieve nothing without sustained perspiration.
It’s also generally believed that without an inborn talent, writing is
next to impossible. When we see a remarkable piece of writing, we tend to
attribute the remarkableness to the innate talent. We strongly believe, wrongly
of course, that we are not blessed [talented] and so we will not be able to
write. But the truth of the matter is that even talent can achieve nothing
without hard work.
Here you can see that the first line of
each paragraph begins five spaces away from the margin; this is known as
indentation. If this is done, there is no need to leave space between
paragraphs.
________________________________________________________________________
Paragraph
Development—techniques
We’ve already seen in through examples
13—23 how we can organize or sequence our ideas through sentences and thus
develop a paragraph.
Here are a few more ways:
· illustrations
Examples:
Some of you may have reading problems. You
may be in the habit
of going back to where you started
before continuing to read; you
may be using your finger to continue
to read; you may be mouthing
the words or moving the lips. You may
also be reading word by word.
Man is the
only creature that consumes without producing. He does
not give
milk, he does not lay eggs, he is too weak to pull the plough,
he cannot
run fast enough to catch rabbits. Yet he is the lord of all
the
animals. He sets them to work, he gives back to them the bare
minimum that will prevent them from starving,
and the rest he keeps
for
himself. Our labour tills the soil, our dung fertilizes it, and yet there
is not one
of us that owns more than his bare skin. You cows that I see
before me,
how many thousands of gallons of milk have you given during
this last
year? And what has happened to the milk which should have been
breeding up
sturdy calves? Every drop of it has gone down the throats of
our
enemies. And you hens, how many eggs have you laid this year, and how
many those
eggs every hatched into chickens? The rest have all gone to market
to bring
money for Jones and his men….
[Animal Farm]
Madam Curie was an extraordinary person. She
was not only an untiring and passionate researcher
and scientist but was also a devoted wife and a loving
mother. She had to work under most difficult and
discouraging circumstances. Yet she didn’t lose her
composure, direction and patience. She
didn’t spend
her time cursing others. She loved her work, didn’t lose
heart and proceeded towards her goal steadily. And she
had enough time for her life partner, Pierrie Curie and
her daughter, Irene.
· comparison
and contrast
Like paper
presentation, seminar is an oral act. A paper may go
beyond the curriculum. A seminar topic
is within the boundaries
of the curriculum. Unlike paper
presentation, a seminar has a
small audience. In the former, you
will be facing a group of strangers.
In the latter, you will be among
known faces. In the first, you need
to be extremely careful about what you
say and how you say it. Here
evaluation takes precedence over
learning. In the second, learning is
more important than evaluation. You
can expect sympathy and
understanding in the second, but not
necessarily in the first. For the
former, you need to do a lot of
reading while for the second, the area
you will cover will be small. Seminar
is a practice session whereas
paper presentation is judgement
session. There are no prizes to be
won in seminar. Paper presentation
ends with a question hour but
seminar ends with a discussion. In the
former, respect for you depends
on how well you handle the questions.
But in the latter, no respect is
involved. Only exchange of
information is important.
Ultrasonic welding differs from
resistance welding, which requires a
generation of heat by electrical
resistance at a strategic point of the
weld, in that it does not depend upon
the similar melting points of two
metal work pieces. Although ultrasonic
welding requires two metals of
similar hardness, vastly different
metals in a variety of thickness can be
joined with a minimum of heat. As an
example, ultrasonic welding is
used to seal containers filled with
reactive chemicals, such as nitroglycerin,
and produces practically no heat;
whereas, resistance welding would involve
more than enough heat to cause
combustion.
· cause
and effect
In fact, he realized painfully, he couldn’t even be sure of Karen. She
was a legitimate computer expert, a fact that was apparent in their
conversations and which he had verified in his trip back t the United
States. And she had certainly been recruited by Cobb from an important
position with a major American computer company. But for what mission?
The one that Cobb had presented to him of scuttling Japan’s new
technical
wonder? Or perhaps simply to learn as much as she could about Fuiji’s
work?
Was the whole plot simply a device to use Toole as a cover for Karen? If
it
was, did Karen know about it? Had he simply played into a trap by
refusing
to escape and leave her behind.
· claassification
1There
are many different kinds of musical instruments.
2They
are divided into three main classes according to
the
way they are played. 3Those that are played by
blowing
air into them are called wind instruments.
4These are made of wood, brass and other
materials.
5The
family of wood instruments includes the flute,
the
clarinet, the bassoon, the trumpet, the mouthorgan
and the bagpipe. 6The instruments that are
played by
banging
or striking them are known as percussion
instruments.7An
example is the drum. 8Then there
are
stringed instruments which are played by plucking
the
strings or by drawing a bow across the strings. 9Examples
of
this are the violin and the cello.
[an
adapted version of a passage on p.55 in Michael J. Wallace’s Study Skills in
English, CUP 1988]
You write reports for two basic purposes. You’ll want to store
information.
Such information storage will help easy and accurate recall whenever
necessary.
This is a routine affair. The other purpose is to get action. You want
to improve
performance efficiency within your department or organization. You want
to
recommend steps that will improve public relations. You want your
organization
to form new associations. Or you wish your organization to introduce a
new product.
· problem
and solution
It’s generally believed that without inspiration, without a magical
source,
writing is next to impossible. When we see an excellent piece of
writing,
we tend to attribute that excellence to inspiration or some superhuman
guidance. We strongly believe, wrongly of course, that we are not
blessed
[inspired] and so we will not be able to write. But the truth is that
even
inspiration can achieve nothing without sustained perspiration.
As we already
know from the passage on water, fresh water supply is
insufficient
to meet the demand for it. How do we solve this acute
shortage of
water? The immediate reaction is to buy water. Another
reaction is to
dig deep into the earth sometimes as deep as 400 feet to
locate water
source that can last until the next rains. But how many of us
think in
practical terms and into the future? You’re doing this if you do
rain water
harvesting. It’s economical, sensible and durable. Roof top
rain water,
which generally goes waste, can be channeled to an existing
open well or
bore well.
_____________________________________________________________________
4. Process
steps: 1. select topic
2. narrow the topic [making topic
as specific as possible]
3. decide the title
4. gather related thoughts in
‘note’ form, with the help of
[a] mind roaming [using
knowledge you already have about the topic]
[b] reading or listening
sources [for new, latest knowledge]
5. organise information collected
[a] convert into main
thoughts, major and minor details
[b] eliminate extra
fat---information distracting focus
6. format or organise them into :
introduction, body with subtitles, conclusion
7. edit
[a] self
remove loose ends:
spelling, grammar errors, incomplete sentences
ensure unity and coherence
[b] others [friends,
relatives]
tighten thought and
expression
look for further
improvements
These are the normal steps when you’re
penning your thoughts. But in a test or an examination, the topic is given to
you. Then use 4 [a], 5, 6 and 7 [a].
______________________________________________________________________
Select topic
Let’s say you want to write an article for
publication. The first step is you need to select a topic. What are you
interested in? Let’s say you’re interested in education, science, environment,
for instance. These three are very broad topics. They are also very vague.
They are broad and vague because each one has so many related aspects. It will be
difficult to deal with all aspects in an essay of a few pages.
________________________________________________________________________
Narrow the topic
If we want our writing to be meaningful to
readers, we need to be more specific in defining the topic before we start
writing.
education
science
environment
·in India or overseas? · inventions or discoveries? · in India or the world?
·school, colleges · medical,
engineering, · forests, dams, air, water,
·elementary, high school electronic, space ·deforestation, dam height
medicine, engineering · specific area pollution: air, land, water
·formal /distance education · drugs/treatment/products · processes, problems, causes,
·govt./self-financing research solutions
· processes, problems, · processes, problems, causes,
causes, solutions
solutions
While the three titles are too broad for an
article or an essay, the expressions that follow below each title help you to
narrow down the area of thinking and writing.
Now that specificity is achieved it is easy
to select a title. Most specific would be to look at the titles even from recent
activities [at the time of writing] in one of these areas. For instance,
‘reservation for women’, ‘quota on caste basis’, ‘the death of Prof. Sabarhwal during students
union elections’.
The
process can be looked at from another
angle:
The
reader
It’s readers who decide what writers will
write about. Because they are not writing to
please themselves but to share their
thoughts, views, concepts, philosophy with others.
Naturally they should choose topics that
would engage the attention of their readers.
Writer’s
purpose
topic (choice)
preparation
writing
editing
Readers
are of two kinds: specialists and non-specialists
Writer’s
purpose is to inform, convince, share
Topic
involves selection and scope
Preparation
refers to reading, discussing, thinking, taking notes
Writing
requires
content—thoughts, views, concepts,
theories, findings
language—regional or English
organisation—introduction, body
(middle), conclusion
in paragraphs
with topic sentences, major and minor details
tone—formal, informal
Editing—improvement
by self and others
Topic
The
topic you choose to write about should be limited in its scope; in other words,
you need to contexutalise it or lend it specificity. How do you do this? Well,
let’s look at an example.
Let’s
take ‘education’.
You
can think about it in several ways:
geography, type, level, knowledge areas,
teaching/learning components
education
geography
world, national, state, district,
town/villages, home
Now
you have to think of the type of education
education
type
formal
institutional
distance
informal
self learning
books
newspapers
magazines
films
speeches
radio, TV, video
education
levels
class 1—12 (school)}
diploma }private, aided, government
(post)graduate }autonomous, deemed university
PG Diploma }
education
knowledge arts and science subjects, specialist,
professional
education
related
components
syllabus writing→experts, teachers,
professionals from other fields
staffing →teachers, supporting staff
evluation →internal--institutional
→external--university
teaching → teachers, theories, methodology,
activities
learning → learners, theories, activities
infrastructure → class, laboratory, library, sports,
tours,
facilities for →staff→salary, perks, research
You
can see from these titles and subtitles the degree of specificity increase with
each of them though the scope and range and the depth as presented here are not
exhaustive. For instance, theories in the fields of linguistics,
sociolinguistics or pragmatics for instance
related to teaching can narrow the topic further. This attempt is only
to show you how you can achieve topic specificity. Depending on the reader and
the purpose, you can generate any number of topics.
For
both the processes suggested above the rest of the process is common.
5. Kinds
1.
Narrative
2.
Descriptive
3.
Argumentative
4.
Expository
Narrative
essays contain as content a sequence of events or incidents. The content may be
factual or fictional. All these narrate: short stories, novels, resports
(auto)biographies
Descriptive
essays describe; they contain details about a person, place, action or activity
that appeals to the senses. They provide mental images or pictures that come
alive as we read. All these describe: diaries, technical/scientific/travel
writings, (auto)biographies.
Argumentative
essays state, create or expect opinions with evidence looking at the pros and
cons of an issue, a problem, a behaviour, an event. They try to persuade or
influence the reader. They expect the reader to appreciate and if possible
accept the opinion expressed.
Expository
essays explain. They describe, narrate or analyse or also argue; however, their
intention is not to convince the reader but just expose the reader to
information.
Please
remember that
these four kinds are only for the sake
of
convenience or for the purpose of focus
rather than anything else
and
despite the distinctions brought about in
the kinds of essays, no essay or writing
is or will be purely narrative,
descriptive,
argumentative or expository.
In
other words most or several of them is or will be a (good) mixture.
Samples
of narrative essay
Sample
1
an
excerpt from James A. Michener’s Centennial
:
On
a hot summer’s day a female eagle flying lazily in the sky watched
as
a herd of bison left the shadows of the twin pillars and headed north
for
rendezvous on the far side of the North Platte. The eagle watched with
unconcern
as the great beasts moved out in a single file, for there wan nothing
of
advantage to her in the movement of bison or even in the congregation in
large
numbers. All they produced was dust.
But
as the bison moved north she noticed that at a certain spot each animal
shied
to the left, even the most aggressive bulls and this was worth inspecting,
so
she hovered for some minutes to confirm her observation, then flew in lazy
circles
till the herd had passed.
As
soon as the last straggler had come to this spot, looked down and veered,
she
dropped like an arrow from aloft, keeping her eye on the sport and noticing
with
pleasure that her deduction had beenright. Below her in the dust beside a
rock
was food.
Increasing
her speed, she swooped to earth, almost touching the sand with her
wings.
At the last moment she extended her talons and grabbed at the object
which
had attracted her—an enormous rattlesnake some five feet long and
very
in the middle. It had a flat, triangular head and on the its tail a curious
set
nine hornlike knots.
The
eagle miscalculated slightly, for its talons did not strike the snake squarely.
Only
one claw of the right foot caught the rattler, well toward the tail, and
although
the eagles tried to carry the snake aloft so as to drop it on rocks and
perhaps
kill it, she failed, for the snake, with a violent twisting effort tore free,
and
with blood flowing from the wound, immediately coiled itself to repel the
attack.
Seeing
that the rattler was in a position to strike, the eagles realized that she
could not swoop down and take it by surprise, so
she landed some distance away,
her feet and wings throwing up a cloud of dust, and with wary, high-stepping
her feet and wings throwing up a cloud of dust, and with wary, high-stepping
movements,
approached to give battle.
The
snake watched her come and adjusted his position to match hers, but
he
was not prepared for the kind of attack she made. Uttering a wild cry,
she
ran directly at the snake, raised her wings, encouraging it to strike at
the
feathers, then brought the edge of her wing sharply across at the snake’s
backbone.
It was a staggering blow, delivered with all the force the eagle
could
muster, and it flattened the rattlesnake.
Instantly
she leaped upon it, catching it squarely in the middle so that her
claws
dug all the way through that part of the snake’s body. With a flap
of
her extended wings she soared high into the air, but she did not rise to
the
highest heavens, for she was working on a plan of calculated cunning.
Searching
not for rocks but for a terrain quite different, she found what she
wanted.
She flew with her eyes into the wind to assure herself that it was not
strong
enough to blow the snake off target when she dropped him. Satisfied,
she
disengaged the serpent and watched as it plummeted into the middle of a
cactus
thicket, whose needle-sharp spines jutted upward.
With
a thud the rattlesnake fell onto the cactus, impaling itself in a score of
places.
As it writhed, the jagged edges of the spines cut deep and held fast.
There
was no way the snake could tear itself loose, and death became inevitable.
Had
the eagle realized that exposure to the sun and loss of blood must soon
kill
the snake, it could merely have waited, then hauled the dead carcass off
to
its young. But the bird was driven by deep inner compulsion and felt obliged
to
its enemy, so it flopped its great wings slowly and hovered above the cactus
spines
lowering itself until the curved talons could catch the serpent again.
The
time the eagle flew in wide circles, searching for an area of jagged rocks
on
which to drop the rattler. Locating what she wanted, she flapped her wings
and
rose to a great height and shook the snake free, watching with satisfaction
as
it crashed onto the rocks. The fall did great damage, and the snake should
have
been dead, but like all rattlers he had a terrible determination to survive,
so
as soon as he struck the rocks he marshaled his remaining strength and took
the
coiled position.
The
eagle had made a sad miscalculation in dropping the snake onto the rocks,
for
she had counted upon the fall to kill him outright, but this it had not done,
so
now she was forced to leave the flat, sandy terrain where she had an advantage
and
go among the rocks, where the advantage was his. However, since the snake
was
obviously close to death, she judged that she could quickly finish him off.
But
when she sought to deliver the culminating blow with the edge of her wing,
he
somehow thrust himself about her body and enclosed it in a constricting
embrace,
fighting
desperately to bring his lethal head into contact with some vital part.
She
was too clever to permit this. Keeping his head at a disadvantage, she strained
and
clawed and bit until he had to release his hold. For the moment he was
defenseless,
and
she took this opportunity to pierce him for the third time, and now she carried
him
very
high, kicking him free over the rocks again, and once more he crashed on to
them.
He
should have been dead, and he feigned that he was, lying stretched out and
avoiding
the coil. Sorely shattered by this last fall and bleeding from numerous
wounds,
he made no sound, for rattles were broken.
The
eagle was fooled. She inspected him from the air, then landed on the rocks
and
walked unsteadily over to carry him aloft the last time, but as she neared,
the
snake coiled and struck with what force he had left and plunged his fangs
into
the unprotected spot where her thin neck joined her torso. The fangs held
there
for only a moment, but in that brief instant the muscles in neck contracted,
sending
a jet of lethal poison deep into her bloodstream. Easily so easily the fangs
withdrew
and the snake fell back upon the rocks.
The
startled eagle made no motion. She merely stared with unbelieving eye at the
snake
while he stared back at her with a basilisk gaze. She felt a tremor across her
chest
and the vast constriction. She took two halting steps and then fell dead.
The
rattlesnake lay motionless for a long time, one wing of the eagle across his
wounded
body. The sun started to go down and he felt the coldness of the night
approaching.
Finally he bestirred himself, but he was too damaged to move far.
For
a long period it seemed that he would die, there on the rock with the eagle,
but
just before sundown he mustered enough strength to drag himself into a
crevice
where there would be some protection from the night cold. He stayed
there
for three days, slowly regaining his strength and the end of this time he
started
his painful trip home.
___________________________________________________________________________
Sample
2
South
African Safari on Foot
Peter
Aiken
At
5 am the sky was black. I packed camera gear and binoculars. I slipped
my
knife in a pocket where I could find the blade. I calculated it to be about
the
length of one lion’s fang. By 6 am the sky was lightening and we walked
in
close single file behind tracker and ranger.
Impala
sprang from the undergrowth and monkeys shook the treetops. Bird life
was
colorful and abundant, but we were after bigger game. Abednigo Masuku,
our
tracker, pointed out leopard claw marks and elephant rubbings on a single
Transvaal
Saffron Tree. He then spotted fresh tracks of a white rhino with calf.
With
silence emphasized, we followed. Rhino have poor eyesight but good hearing.
Abednigo
and Gavin knelt and filtered clods of rhino dung between their fingers.
They
felt for moisture content and pointed out the baby dung neatly deposited beside
mother’s. “Passed through about half an hour ago,” Gavin said. “Are we up for
pursuit?”
We
were.
The
white rhino (acceptably short for rhinoceros) eats grass and therefore
holds
its head lower, mouth near the ground. The head is longer and heavier,
with
massive shoulders and a big hump to carry the weight. It also has a wide,
square
shaped mouth, if you can see this. There is nothing in the color to
distinguish
it from the black rhino: the “white” comes from the Afrikaans word
for
“wide” mouthed rhino. The black rhino carries its head higher because it eats
leaves
instead of grass. It has smaller, lighter head with a pointed “prehensile” lip
for
gripping leaves. Also, black rhino calves follow the mother, white rhino calves
run
in front.
After
much circling, we found the rhino with baby in a grassland interlaced
with
acacia trees, termite mounds, and aardvark burrows. We hid behind a
mound
and glanced the mother rhino who, with head lowered, looked a bit
like
a black boulder left by a retreating glacier. Other black boulders lay to
left
and right. Slowly they moved and Gavin whispered, “We’ve found Rhino
City!
There’s five more over there. Keep low and follow us—the wind’s blowing
from
their direction.”
Back
at the lodge I read about our quarry: “Neither the strength nor the temper
Of
a rhino when he is annoyed should be underestimated. He is the extrovert
of
the animal kingdom, prepared to charge headlong into incoming trains.”
Source: http:// www.travelwithachallenge.com/South-Africa-Safari-htm
___________________________________________________________________________
Narrative
essay (Analytical essay)
Drew and his
decision
It
was autumn again, October, his sixth year in the monastery. The ruddy glow of sunset tinted the brilliant
maples on the hill. He heard the rattle of the serving hatch, then the familiar
scrape and thump of a cup and bowl being set on the shelf beside his door.
He
glanced toward the tiny hole at the base of the workman wall where Stuart
Little suddenly appeared. The mouse sat on his haunches, raising its forearms
/to brush his whiskers.
All
you need is a knife, fork and bib, Drew silently joked, amused at how the
rattle of the serving hatch had become Stuart Little’s dinner bell.
The
mouse scurried over as Drew brought the meal to the workbench. Bread and water;
another fast-day. His stomach rumbling, he noticed Stuart trying to climb up
his robe, and with a sigh of feigned disgust, he tore a piece of bread, tossing
it down to the mouse./He sat at the bench and bowed his head, /pressing his
hands together praying.
You
know, Stuart, /he thought as he finished, /you’re getting greedy. I ought to
make you wait to eat/ till grace is finished. A little religion wouldn’t hurt
you. How would you feel about that, huh?
He
glanced toward the mouse on the floor.
And
frowned. The mouse lay on its side, unmoving. Drew stared in surprise, not
moving either. His chest tensed. Shocked, he held his breath, then blinked and
inhaling slowly, bent down to touch Stuart’s side.
It
remained inert.
Drew
gently nudged it, feeling the soft sleek fur, but got no response. His throat
seemed line with sand. As he swallowed painfully, he picked Stuart up. The mouse
lay still in his palm. It weighed almost nothing. But the weight was dead.
Drew’s
stomach felt cold. In dismay, he shook his head, baffled. A minute ago, the
mouse had practically been dancing for its supper.
Was
it old age, he wondered. A heart attack? Or a stroke? He didn’t know much about
mice, but he vaguely recalled having read somewhere that they didn’t live long.
A year or two.
But
that was in the wild, exposed to predators, disease, and cold. What about here,
in the cell? He strained to think, telling himself that even with warmth and
good care, Stuart Little had been bound to die. There wasn’t any way to know
how old it had been when it showed up last autumn, but in human terms by now it
might have been ninety.
I
shouldn’t be surprised. By feeding it, I merely postponed...If it hadn’t died
today...
Tomorrow.
He
bit his lip, grieving as he set the small corpse back on the floor. And felt
guilty because he grieved. A Carthusian was supposed to shut all worldly
distractions. God alone mattered. The mouse had been temptation that he should
have resisted. Now God was punishing him, teaching him why he shouldn’t become
infatuated with transitory creatures.
Death.
Drew
shuddered. No. I wouldn’t change anything. The mouse was fun to have around.
I’m glad I took care of it.
His
eyes stung, making him blink repeatedly as stared down at his lifeless friend.
Terrible thoughts occurred to him. What should he do with the body? For sure,
he wasn’t going to have a custodian brother dispose of it, perhaps even dump it
in the trash. The mouse deserved better. The dignity of burial.
But
where? Through misted vision, he glanced toward his workroom window. Sunset had
turned to dusk, casting his garden into shadow.
A
cedar bush grew in a corner of the wall. Yes, Drew thought. He’d bury Stuart
Little beneath the shrub. An evergreen, it lived all year. Even in winter, it
color would be a reminder.
His
throat felt swollen, aching each time he swallowed. Thirsty, he reached for his
cup of water, raised it toward his lips, glanced past it toward the thick slab
of bread in his bowl.
And
paused.
His
spine began to tingle.
He
peered down at the bread on the floor, the chunk he’d thrown to Stuart Little.
He stared at the water in the cup he held. And slowly, cautiously, making sure
that no liquid spilled over the top, he eased the container back down on the
table. Reflexively, he wiped his hands on the front of his robe.
No,
he thought. It couldn’t be.
But
what if you’re not imagining?
His
suspicion filled him with same. In his sixth stern year of penance, did he
still retain the habit of thinking as he had in his former life? Had his
training been that effective?
Were
his instincts that resistant to change?
But
just supposing. You know, for the sake of argument. What kind might it be? Did
it kill on contact?
Tensing,
he stared at his hands. No, he ‘d touched the mouse. And the bread. Just a
minute ago. But the mouse had died quickly. In the time Drew had taken to close
his eyes and say grace. If it’s poison and it kills on contact, even with my
greater size, I ought to be dead, too.
He
breathed.
All
right, then, it had to be ingested. (You’ve got to stop thinking this way.)
And
it’s powerful. Almost instantaneous.
Assuming
it’s poison.
Besides,
he was merely guessing. The only way to know for sure if the bread had been
poisoned was to...
Taste
it? Hardly.
Have
it tested? That would take too long.
But
there was another way. He could investigate the monastery. He stiffened with
doubt. The notion repelled him.
But
under the circumstances...
He
stared at the door. In the six years he’d
been here, he’d left his quarters seldom, only to convene with the other
monks for mandatory communal rituals. Those ventures outside had been keenly
disturbing to him, nerve-racking intrusions on his peace of mind.
But
under the circumstances...
He
wiped his sweaty lip. His years of disciplined regimen told him to wait a short
while longer until he normally left for vespers. Yes. The decision calmed him.
Avoiding extremes, it appealed to his common sense.
The
vespers bell stayed silent, but in rhythm with his daily cycle, he knew that it
should have struck by now. He told himself that the mouse’s death had disturbed
his judgement. Time was passing with exaggerated slowness, that was all.
He
counted to one hundred. Waited. Started to count again. And stopped.
With
a painful sign, he repressed his inhibitions, broke six years of habit, and
opened the door.
This
passage will help you understand what a hypothesis is, analyse it and
come
to conclusions. This is a long passage. The length doesn’t matter because it’s
about the
sudden
death of a mouse, what caused its death and what this means for Drew.
Note:
This passage is a good sample to discuss paragraph structure. You may discuss
the
writer’s selection and intention of
the way he’s structured the paragraphs.
___________________________________________________________________________
Narrative
essay (analytical)
Toole, Karen and
Cobb
It
should be obvious. But it wasn’t. They were being used. But he didn’t know how
and he wasn’t sure by whom.
It
was time for Toole to begin constructing the pyramids to learn whom he was
dealing with and what they were really upto. He was working for John Cobb, a
top agent of the secret government involved in a plot of national survival. But
who was John Cobb? Was he really part of the U.S. Government, or had Toole
committed a cardinal error—believing what he had been told? Cobb had
demonstrated his divine authority by opening the gates of a gederal prison. But
Mafia chieftains had walked in and out of federal prisons. And, as Watergate
had demonstrated all too clearly, not everyone employed by the government had
the country’s interest at heart.
Who
was Yamagata Fuijii? A top computer theorist, of course. But whose side was he
on? He was turning over Japan’s most closely guarded industrial secrets
with no more urging than a transparent
threat and no more reward than a suitcase of money? And he could scarcely
contain his joy in the process. Was he the victim? Or was he part of the plot?
Then
there was this Signet Corporation, described by Cobb as simply a shell that
served as a mailing address for stolen information. But who owned Signet? What
was its connection to Cobb or Fuijii? And was it going to do with the computer
code that only a dozen people or so in the world could even begin to
understand.
He
needed answers. He needed to know who was scheming, and who was being
victimised. And he needed to know how. Otherwise he was simply one cog in the
machine, and cogs tended to heat up and break when the machine was running at
top speed.
He
gut told him he was being used. But how? As a washing machine to launder money
that Signet was paying to Fuijii? As a watchman, to keep Karen from
inadvertently compromising a scheme she didn’t understand? Or as a victim to
take the fall if Cobb’s house of cards should suddenly become top-heavy and
unstable?
Some
things seemed clear. From what he had learned on his trip to the United States,
it was apparent that Cobb had set him up to be the obvious culprit if the
scheme were discovered. The perpetrator of record was not the United States
government, but rather Signet Corporation, which had already been caught with
its hand in the cookie jar. Cobb had claimed that Signet was nothing more than
a small drop. But the records indicated that it was a legitimate corporation
with assets, activities and employees. So if the Japanese were to discover that
someone was stealing their computer secrets, they would have to look no further
than Toole and Karen. There would be no reason to search Cobb and his secret
government associates.
‘Fair
enough’ Toole thought to himself. If the U.S. government were planning an
operation against a friendly country it would be essential that it take steps
to cover its tracks. What better cover than to create a much more obvious group
of plotters who could shoulder all the blame? Who could fault Cobb for not
letting him and Karen in on the real reason they had been sent to Japan? Toole
had never bothered to brief his marks on the full nature of the schemes in
which he was involving them.
Then
there was Fuijii. Had he known what Tooole was up to the first time they had
sat down together at a card table? If he did, then why had he been such a
willing victim? What had he turned over authentic records? Clearly the Japanese
computer expert had no intention of handing over his great invention for money.
From Karen’s meetings with him, Fuijii still thought his supercomputer was
going to sink the American fleet of technology. That meant he was certain Karen
and Toole were going to be stopped before they could put his secrets to use.
But who did he think he was going to stop them? It seemed certain that he had
inside information on their activities, but where was he getting it? How was he
managing to spy on them while they thought they were spying on him?
In
fact, he realised painfully, he couldn’t even be sure of Karen. She was
legitimate computer expert, a fact that was apparent in their conversations and
which he had verified in his trip back to the United States. And she had
certainly been recruited by Cobb from an important position with a major
American Computer company. But for what mission? The one that Cobb had
presented to him of scuttling Japan’s new technical wonder? Or perhaps simply
to learn as much as she could about Fuijii’s work? Was the whole plot simply a
device to use Toole as a cover for Karen? If it was, did Karen know about it?
Had he simply played into a trap by refusing to escape and leave her behind.
Toole
kicked the mat and bedding aside to give himself room to pace the floor.
Suppose none of them were what they appeared to be? Suppose Cobb had nothing to
do with the government. Suppose Cobb and Karen and possibly even Fuijii were
working together to move Japanese technology out of the country for their own
private use? Could Toole simply be a cover to protect Fuijii? That would
explain why handing over his secrets hadn’t caused him a moment of anxiety. He
would have known that he was simply handing them over to himself. But they had
the code months ago. Why would Fuijii have waited so long to put the police on Toole’s tail? And if
they had been watching him, why would they have let him leave the country when
they had no reason to think he planned to return?
Everywhere
he looked he found a new maze with convolutions just as puzzling as the heaps
of historical data he had left at Karen’s house. And yet he was sure there was
no obvious answer just as he was sure that Fujii’s password was buried
somewhere in his long list of names and dates.
He
thought back to the very beginning, to the briefing that Cobb had given to
Karen and him by the side of the swimming pool in California. Had Cobb really
needed his skills to get the code away from Fujii? Or had Cobb simply need his
reputation as a convicted computer thief to serve as a cover for other
activities? Or had the plan been exactly as represented? And if it had been,
what had changed suddenly to cast him from the
role of a schemer to the role of a victim? Perhaps it was the password
the original plan had become inoperative. Maybe Cobb—and perhaps Karen—were simply
closing the door on a futile failed venture. Or perhaps Fujii had thrown in
with them, and now they were disposing of useless baggage. In any event, he had
no choice. His only chance was to run. But suppose Karen was as much a victim
as he was? Could he simply leave her behind? It was unprofessional to care
about someone else, but he knew that he cared. He knew from the rage he felt
every time she was alone with Fujii and the fear he felt when she was late
returning.
But
why did he care? Why not simply fall back on one of the alternatives he had
considered on his first flight to Boston? He could run. He could dial up the
computers at his banks and transfer the funds he had kept from the Citibank
settlement into other accounts at other banks. He could move money to where
Cobb would never find it. Write himself a new identity, and simply disappear.
Let them work out their complex schemes, and let losers pay the price of
failure. He would get out of it if he moved quicky before anyone was even aware
that he had left Japan.
Or
he could use the second alternative. No matter who was scheming or who was being
victimised, the ultimate loser was going to be Fujii’s company. He could take
what he knew directly to the company and sell it for a handsome price. Then he
would emerge the hero—the one honest man in a network of thieves—who had
brought down a plot of international piracy. And he’d probably have a generous
reward to go with the acclamation.
His
problem was Karen. Toole had violated the first rule of his profession. He had
become involved. Instead of using Karen, he found himself caring about her
safety. His concern hung from him like an anchor taking away his freedom to move
with the currents. Run and he would leave her behind, an obvious victim, since
she was one of the few people in the world who could make use of the code that Fujii
was providing. Expose the plot to the Japanese and she would be one of the
people he was exposing. That was why he had urged her to finish her work
quickly and leave the country before Cobb’s scheme reached its moment of climax.
If the intricate fabric of intrigue should suddenly become unravelled, Toole
thought that he might be able to take care of himself. But not if he had
someone else to worry about.
By
why should he worry about her? Why was Karen so important to him? He had worked
with dozens of women before, pretending to be involved while carefully keeping
a cold separation. They had all been decent people, all honest, all talented.
Most had been beautiful. Some even affectionate. It had made no difference to
him. He had used them shamelessly to get information he needed about a mark. To
get access to hidden computers. To make introductions that were essential to
his schemes. They were simply pieces in the game board, significantly only so
long as they helped him to advance to the winner’s circle. Why shouldn’t he
discard Karen thoughtlessly as he had discarded all the others?
He
wasn’t captivated by her looks. Granted, she was a very attractive woman, but
there had been others who were stunning beauties. Besides, physical appearance
held no great interest for him. He had learned in his boyhood that sexual
attraction had less to do with physical dimension or the color of the eyes than
it did with an openness of emotions or as a pattern of thoughts.
Nor
was he returning any obvious expression of concern and affection on her part.
She had made it clear from the first moment he had seen her from the protection
of her closet that their relationship was all business. In fact, she was a
purposefully distant person, almost afraid to open herself to another person.
She seemed comfortable only when sharing herself with her infernal machines.
He
wasn’t even enthralled by her brilliance. True, she was one of the leading
thinkers in civilization’s most cerebral technology. But her mind lived in
kingdoms that held no interest for him. They had nothing in common, no areas of
mutual involvement that could generate even the most feeble magnetic field
between them. Yet, Toole was concerned for her welfare. So concerned that he
was putting his own person at risk to protect her. And he didn’t know why. His
every instinct told him that it was time to cut his losses and run.
His
arrest was unceremonious...
”Admit
it,” he told himself, “you’re nothing but a con man who finally met his match.”
Cobb had conned him and then Fujii had conned him. He had been beaten by
amateurs, and he deserved whatever awaited him. He hadn’t been totally
gullible. He had suspected that Cobb might be setting him up and he had taken
steps to build his defense while he was in the United States—some creative
changes in the computer records in case Cobb tried to turn him in as the sole
plotter in the scheme to steal the Japanese supercomputer secret. But he had
been totally wrong. Cobb hadn’t been the enemy. It had been Fujii. And Fujii
had taken the simplest course open to anyone who suspected they were the
victims of a sham. He had called the cops.
At
last he had the whole thing figured out. But as the two Japanese pushed him
through the door into the back seat of the car, all his doubts came crashing
down on top of him like the falling window that had given him away.
The
man seated beside him wasn’t a Japanese policeman. It was Cobb.
[an
excerpt from The Masakdo Lesson by William P Kennedy, Gold Eagle, 1988]
___________________________________________________________________________
Samples
of descriptive essays
1.
Mr C had hung his coat on the chair he
was sitting in, his tie had been loosened and sleeves rolled up. He held his
head in such an angle that it looked as though he had a stiff neck. He had a
knack of expressing himself with his eyebrows. His lips were curved in and in
spite of it his cheeks wouldn’t balloon up. His chest was held high, the
cigarette smoking itself away. When he felt my presence, he winked me good
morning. In doing so, he lost track of the rhythm he was trying to work into
his typing and cursed himself (perhaps me!). As I passed on to the next, he
mouthed a foul word so loudly almost all looked up. Some were annoyed at the
interruption. Some liked the distraction, which allowed their muscles to relax,
to force themselves from the grip of tension. “What went wrong?” Mr C, with a
worried look, said absently: “Traffic jam!”
His presence always filled the
atmosphere with humour and mirth. He affected the company in his characteristic
fashion. He would crack jokes, narrate genuine stories, weave stories or punctuate
the conversation with interesting anecdotes. He had a knack of having others
listen to him. He always had something to say on every topic. He thought
himself a logician and considered his views a shade better than others’ (if not
right!). He would go on arguing and consider himself the victor when say Mr M
quit. He wouldn’t know that Mr M had left because he had something better to
do! If any agreed with him without argument, he would become suspicious, for
the other person might be flattering him or having a good laugh! And if anybody
fell into the trap, he would try to show in all earnestness how illogical the
other one was. To do that he would even go to the extent of forgetting the
topic!
_________________________________________________________________________________
2.
Globally
renowned for its shore temples, Mahabalipuram was the second capital of the
Pallava kings of Kanchipuram. 58 kilometres from Madras on the Bay of Bengal,
this tiny sea – side village of Mahabalipuram, is set in a boulder – strewn
landscape. Tourists are drawn to this place by its miles of unspoiled beach and
rock-cut art. The sculpture, here, is particularly interesting because it shows
scenes of day-to- day life, in contrast with the rest of the state of Tamil
Nadu, where the carvings generally depict gods and goddesses
Mahabalipuram art can be divided into four categories : open air bas – relief, structured temples, man-made caves and rathas (‘chariots’ carved from single boulders, to resemble temples or chariots used in temple processions). The famous Arjuna’s Penance and the Krishna Mandapa, adorn massive rocks near the centre of the village. The beautiful Shore Temple towers over the waves, behind a protective breakwater. Sixteen man-made caves in different stages of completion are also seen, scattered through the area.
Mahabalipuram art can be divided into four categories : open air bas – relief, structured temples, man-made caves and rathas (‘chariots’ carved from single boulders, to resemble temples or chariots used in temple processions). The famous Arjuna’s Penance and the Krishna Mandapa, adorn massive rocks near the centre of the village. The beautiful Shore Temple towers over the waves, behind a protective breakwater. Sixteen man-made caves in different stages of completion are also seen, scattered through the area.
History
The temples of Mamallapuram, built largely during the reigns of Narasimhavarman and his successor Rajasimhavarman, showcase the movement from rock-cut architecture to structural building. The mandapas or pavilions and the rathas or shrines shaped as temple chariots are hewn from the granite rock face, while the famed Shore Temple, erected half a century later, is built from dressed what makes Mamallapuram so culturally resonant are the influences it absorbs and disseminates.
The temples of Mamallapuram, built largely during the reigns of Narasimhavarman and his successor Rajasimhavarman, showcase the movement from rock-cut architecture to structural building. The mandapas or pavilions and the rathas or shrines shaped as temple chariots are hewn from the granite rock face, while the famed Shore Temple, erected half a century later, is built from dressed what makes Mamallapuram so culturally resonant are the influences it absorbs and disseminates.
All
but one of the rathas from the first phase of Pallava architecture are modelled
on the Budhist viharas or monasteries and chaitya halls with several cells
arranged around a courtyard. Art historian Percy Brown, in fact, traces the
possible roots of the Pallavan Mandapas to the similar rock-cut caves of Ajanta
and Ellora. Referring to Narasimhavarman’s victory in AD 642 over the Chalukyan
king Pulakesin II, Brown says the Pallavan king may have brought the sculptors
and artisans back to Kanchi and Mamallapuram as ‘spoils of war’.
Temples in Mahabalipuram
There are, or rather were, two low hills in Mahabalipuram, about 400m from the sea. In the larger one, on both sides, there are eleven excavated temples, called Mandapas, two “open air bas reliefs”, one of which is unfinished, and a third enclosed one. Out of a big rock standing free nearby there is a “cut out” temple, called a “Ratha”. This type is unique to Mahabalipuram.
There are, or rather were, two low hills in Mahabalipuram, about 400m from the sea. In the larger one, on both sides, there are eleven excavated temples, called Mandapas, two “open air bas reliefs”, one of which is unfinished, and a third enclosed one. Out of a big rock standing free nearby there is a “cut out” temple, called a “Ratha”. This type is unique to Mahabalipuram.
Out
of the other hill, much smaller and standing about 200m to the south, are
fashioned five more rathas, and three big sculptures of a Nandi, a Loin and an
Elephant. On the top of the bigger hill there is a structural temple, and a
little distance the magnificent beginnings of a Vijayanagar Gopura and also
survivals of what is believed to be a palace.
Shore Temple
Perched on a rocky outcrop, it presides over the shoreline, serving, as Percy Brown puts its,
‘a landmark by day and a beacon by night’. Designed to catch the first
rays of the rising sun
and to illuminate the waters after dark, the temple ended up with an
unusual lay-out. As the
main shrine faces the sea on the east, the gateway, the fore count and
the assembly hall of
the Shore Temple all lie behind the sanctum.
Unusual, too, is the fact that the temple has shrine to both Shiva and
Vishnu. The main sanctum
and one of the two lesser ones on the west are dedicated to Shiva. The
enclosing wall has a
series of Nandi bulls on it.
Interconnected cisterns around the temple meant that the sea could be
let in to transform the
temple into a water shrine. But, in recent times, a stone wall as been
added to protect the
shrine from the rising seas and further erosion.
Mandapas
The main hill at Mamallapuram is dotted with pillared halls carved into the rock face. These
mandapas, with their graceful columns and intricate figure sculptures
bear witness to the
artistry of the Pallavan rock cutter. The ten pavilions at
Mamallapuram, of which two are
unfinished, were designed as shrine, with a sanctum and on outer hall.
The shallow porticoes
are adorned with exquisite sculptures of gods, goddesses and
mythological figures.
The Ganesh mandapa is an active shrine even today, with the idol of
the elephant-god being
revered by the faithful, fourteen centuries after it was first
consecrated.
Beyond the circular rock called Krishna’s Butterball is the Varaha
mandapa dedicated to
the two avatars of Vishnu as Varaha the boar and Vamana the dwarf. The
pillars of this
pavilion are perhaps the earliest to display a motif that became the
signature of southern
architecture-the lion pilaster, where a heraldic lion support
ornamental pillar. The
Mahishasuramardini mandapa has the goddess Durga in bas relief,
slaying a buffalo-headed
demon, and the Vishnu Sayana Mandapa shows Lord Vishnu lying under the
protective hood
of the seven-headed serpent Adishesha.
Of the other mandapas, the Panch Pandava mandapa, that is unfinished,
has a more elaborate
facade. Its pillars are adorned with rearing lions springing from the
capital, and the shrine is
the only one surrounded by a passage which allows circumvolutions.
Rathas
The eight rathas are monolithic temples fashioned as chariots. They remain an
architectural
mystery, for each is apparently a faithful reproduction of a structure
built of wood. In fact,
even the grain of the timber beams and rafters has been simulated in
stone.
Of the eight rathas, five have been named for the Pandava brothers,
the heroes of the epic
Mahabharata, and their shared wife, Draupadi. The largest is the
Dharmaraja ratha and it
sets the tone for the others. Modelled on a Buddhist vihara or
monastery, it sports a square
hall topped by a vaulting roof. The Bhima, Arjuna and Nakula-Sahdeva
rathas are lesser copies
of the Dharmaraja ratha.
The Draupadi ratha is the smallest and the quaintest. It is simple
structure, fashioned as a
thatched hut borned on the backs of elephants and lions. It was
probably the fascimile of
a portable village shrine.
The fact that many of the temples and sculptures of Mamallapuram are
unfinished, points
to the sudden withdrawal of patronage from rock-cut temples when King
Rajasimhavarman
came to power.
|
Samples
of argumentative essay
In
an argumentative essay you use your reasoning ability and logic to present
points with evidence for an issue or a problem that seems to strongly affect
the world in general or a society or community in particular. You may take a
stand or position and favour one side of the issue rather than the other. You
can reason in three different ways:
1. use deductive reasoning: make a
point and use your writing to prove or
Deduce the that point.
arrive at a conclusion or the point
you wish to make.
2.
use inductive reasoning: first start
by presenting some key points and then
arrive at a conclusion or the point you
wish to make.
3. use persuasive reasoning: make someone do something or dissuade someone
from doing something by giving them
good reasons.
Deductive
Yes
to Human Cloning
Genetic
engineering applies the knowledge obtained from genetic investigations. One of
its concerns is improvement of species. Cloning is a procedure in genetic
engineering yielding clones. A clone is a group of plants or animals produced
artificially from the cell of a single ancestor and therefore containing
exactly the same genetic material [same DNA=
deoxyribonucleic
acid] and RNA [=ribonucleic acid]. Scientists have so far produced animal
clones. The next obvious step is cloning humans. Heated debate has been going
on for some time now. I would say yes to human cloning.
Clones
form naturally when identical twin or other genetically identical multiple
births occur. Single celled organisms, like bacteria, protozoa or yeast,
produce, through asexual reproduction, genetically identical offspring which
are considered clones. Even in vegetative propagation, a root or stem can
generate a new plant that is genetically identical to the donor plant.
Another
argument in favour is that couples who are infertile can have children of their
own. If this isn’t a blessing, what else is it?
Besides,
heart transplants and test-tube babies are now accepted. Likewise, in time,
clones would receive recognition.
Genetic
defects could be identified and removed so healthy children could be produced.
Isn’t this an opportunity to make healthy beings?
Those
who are not for cloning say that doctors might use clones as sources of organs
for transplants. But laws could be made to guard against such use.
They
say that cloning is against God’s will. How sure are they? What evidence is
there? In fact, there is evidence to the contrary. Cloning is a process that
exists around us. We have come to a stage of human history when cloning can
occur in a major way.
Man
cannot assume the role of God, they say. But if man is a miniature God, as some
of them believe, why not man play the role of God for the good of humanity?
We
can always argue for and against a proposition, a statement or a thesis. A
decision to act or not depends on how strong arguments are either way. In the
case of human cloning, the arguments for human cloning are better for the
welfare of humanity as a whole.
_________________________________________________________________________
Inductive
I
was reading a novel. I had been absorbed in the flowing style and the gripping
story. Suddenly I heard a piercing cry. The face of my son had a deep cut. I
cleaned and dressed the wound. As I did the first aid, my wife told me my
neighbour’s son had thrown a stone. Without loss of time I gave my neighbour a
bit of my mind. In return he warned me of dire consequences if ever my son
played with his. Between us, the thread of cordiality snapped and we were no
more on talking terms. But to my consternation, I found my son playing with the
neighbour’s as though nothing had happened between them. My sealed lips and
angry stare stopped his explanation: ‘But daddy….’ He ran home genuinely
perplexed.
Another
day, my daughter broke the flower vase to pieces while attempting to tuck a
rose in. The vase, besides being an expensive one, was dear to me. It was one
of those pieces that reflected my artistic turn of mind. And when it broke I
felt my heart broke too. It was too much to bear. I beat up my daughter, and
she was laid up for a week.
The
silent sobbing in her slumber, the jerky fall and rise of her chest set me
thinking. All past events rushed to occupy my mind. I, a professor, was no
better than my children. I, an educated man, worried for trifles while my
children behaved better. I, a civilized man, was ‘smaller’ and ‘meaner’. A
sense of shame crept in me.
“Child
is the father of man!” How right Wordsworth was! I had so much to learn from my
little ones. I had the haughtiness to think that my child was a gem while
others’ weren’t whereas he didn’t. I had the cheekiness to keep ‘my artistic’
loss foremost in my thoughts whereas my daughter’s act was only
well-intentioned. I forgot my education and fought with my neighbour while my
son continued his relation with his playmate. How vain I’ve been!
The
child has little part in the human melodrama enacted with a plethora of
exaggerated emotions—jealousy, hatred, ambition or revenge. He takes no event
to heart. Of course, he quarrels, fights, feels jealous. But he doesn’t make
much of petty emotions. He forgets. He never drags the past into the present or
future.
When
I look at my children lost in their innocent little worlds, when I observe them
whiling away their time without any prolonged ‘selfish’ attachment, when I hear
their merry laughter, when I see their eyes twinkling with delight, when I
listen to their cheerful, guileless talk I feel I should never have grown. At
least not the way I have. I have been childish. How I wish I were child-like!
___________________________________________________________________________
Persuasive
A case for Indian grammar of English
I
presented this paper on 23 January 2006 at an International Conference
organized by Sona College of Technology, Salem, Thamizhnadu.
In the next
few moments, if I don’t shock you, should I be pleasantly surprised? If your
thoughts ran parallel, should I be pleased? If you think my this communication
‘thinkable’, should I be happy? You tell me. I’ll thank you even for your
silence. For silence can be louder than words.
the
Quake
When
I say, “she described about her bizarre experiences,” I’m corrected. When I
say, “did you discuss about my promotion?” I get a lesson. When I ask, “What’s
your good name, please?” I’m told the enquiry should do without the adjective.
When I pronounce “walked” as “walked”, you may look at me pityingly.
When I say, “he went, no?” or “he saw you, isn’t it?” you may be tempted to
teach me the right tag. When I say ‘I also’ as a short response to ‘I like
Sania Mirza’, you may raise your eye brows. Don’t draw any inferences other
than those within the context, please! When I say, “he has come yesterday”,
your face may wear a worried look.
the
aftershocks
When
I say any of these or other similar ones, ELT experts—both the brown ones and
the White ones—might patiently but knowingly declare: “Well, these result from
mother tongue interferences.” They might also take a step forward, lay their
arm across my shoulders and soothe me placatingly: “Now, now, not to worry. There’s
the bilingual method and there is the Communicative Language Teaching!”
But
there is no pity, no condescension, no pain, there’s only nodding,
understanding when the educated British pronounce cut as /kut/, when the
educated Americans say ‘laboratory’ or ‘secretary’ very differently from their
British cousins, when Americans utter “figure eight” instead of “figure of
eight”, “be in difficulty” for “be in difficulties” or “speak with” in place of
“speak to” or “interfere with” instead of “interfere between”, or when they
deviate from “different from” and say “different than”, or when they quantify
“a half dozen” instead of “half a dozen” or when the former hear “meet with”
from the latter. Or when an Australian counts /seventai/, if I’m not
misinformed.
What
has caused such variations? What interference has brought about these
acceptably distinctive features? Is it because a few Britishers a few centuries
ago and a few Europeans later chose, for whatever reason, another land as their
homeland? Wasn’t it a strong desire to be just different that caused the
‘interference’? So that they could twiddle with English and make it
distinctively different? Here I’m not questioning, I’m doing some loud
thinking.
the
construct
The
English language is as much yours and mine as it is the Britishers’, the
Americans’ or the Australians’. It’s no longer the sole property of those
communities or nationalities. History has seen to that, hasn’t it? This is not
a tall claim, only a tall fact.
You
might shake your heads yet. You might think India is not England, nor America,
nor Australia nor for that matter New Zealand. You know the majority of these
nations are as multilingual as we are. In their case, unilinguality with
distinctive flavours happened naturally as a matter of history. In our case,
English with distinctive flavour should happen as a matter of intent.
For after all, the very multiplicity in using English argues for a model. We
hear ‘school’ pronounced as /isku:l/ and /saku:l/. Should we, then, going by
tradition, continue with the British? Or should we, going by today’s youth, go
with the Americans? If the Americans can roll their r’s and if the British can
silence them, can’t we pronounce them? Shouldn’t we put our heads together and
come up with an Indian model?
If
you’re hard to please, I’ll have another try. A language can be a meaningful
means of communication only to the extent that it contains in it and reflects
the thinking and the expressing of its users. There can’t be or at least
shouldn’t be ‘nativeness’ or ‘nonnativeness’ about it. Anyway as we all know,
if English is what it is today it’s because innumerable words, inflections,
affixes foreign to it have become English.
Let’s
not construe ‘Indianisms’ as mother tongue interferences but see them as
meaningful mother tongue influences. I repeat: Let’s not construe
‘Indianisms’ as mother tongue interferences but see them as meaningful mother
tongue influences.
If
you thought me mad, you could be right. From your perspective. If you thought
me mouthful, you could be right. Again from your perspective. And if you
thought me meaningful [sensible], you’d be right from my perspective. Could we
at least leave this as a legacy to posterity? I rest my case. Thank you for
your time.
A
note: On one occasion, I did talk to a faculty at the D.C.C. at CIEFL during
my
stay in 1990 at the Campus about
the Institute initiating an attempt to
formulate a standardized grammar
and pronunciation for learners in India
for after all the Institute is the
premier institution in the country.
___________________________________________________________________________
3.
A two-minute silence on the demise of our beloved Principal
Our Principal had passed away peacefully in sleep last night. He
had loved peace, of course. Everything he had done pointed to the contrary. He,
in his own quiet way, believed only war led to peace. There was a lot of
activity while he was around. Now that he is gone (May God rest his soul in
peace!), I don’t know what would happen to us, teachers (lecturers?). He was a
highly irritable man, easily excited and easily subdued. Suddenly I remembered.
I started looking for the piece of paper on which my wife had me write down
this morning this evening’s shopping list. I have a weakness for forgetting
things, she believes. I had kept it in my shirt pocket; it wasn’t there. I grew
panicky. Just then I caught the Vice Principal’s eye. He was a bull. He was
known for fist fights. I was neither in the mood for it nor was the place
right. He wouldn’t have minded the place, had I been willing. He was a simple
man. He simply loved his fists and fights. I checked my movements and closed my
eyes solemnly (how does one do it?) and began not to think of anything and observe silence
mentally and thus pay my last respects to the departed soul. But it just
wouldn’t work. Could my son have removed it? I like his pranks. As a parent, I
must, I suppose. Not this one. No, not this one. After this blessed silence, I
must look for the list. The hell with the next lecture! My students would
understand. I know they know. They know I know. I’m not a very communicative
teacher. I have such a rapport with them. Right now, the VP didn’t matter. But
what could I tell my wife? The thought was frightening. What were the items on
the list? A recent incident came to my mind. The Principal—how do I call him
now?—had given me a list of SC/ST students for scholarship or was it another list?
Oh, yes, the list. I tried to restructure the list. I beamed with delight. I’m
not such a bad husband after all. She had asked me to buy a kilo of ‘lady’s
finger’ (‘okro’, that is) after checking for the tenderness. For this, she had
taught me a trick or two. Here I score over other husbands, yes. Yes, she had
cautioned me about the price, too. I’m of the firm opinion that unless we paid
what the vendor quoted, how would he survive? She had different ideas, though.
Right. What was the next item? Success eluded my grasp. Was it coconut oil or
groundnut? I knew it was some oil. What oil? Oh God! What better occasion could
you get to help!
Someone shook me by the
shoulders. The peon was visibly exasperated. All had left and I was alone.
__________________________________________________________________________
Expository
essays
1.
Jagdish Chandra Bose
There
was wonder all around. Astonishment on all faces. Disbelief in the eyes. It was
Paris in 1900.
An
Indian-made crescograph was on view in the Congress of Science. An instrument
that could measure the growth of plants, that showed that plants have hearts
and are capable of feeling, that can record the electric shock a plant may
experience.
To
whom did this astounding discovery belong? Who did the world owe such unique
knowledge to? To an Indian, to none other than Jagdish Chandra Bose.
Jagdish
was born in Bengal. He had his education in Calcutta [now, Kolkotta]. Due to
ill health he abandoned the study of medicine in London and entered the famous
Cavendish Laboratory. He returned to India with a Cambridge degree.
Though
he was appointed as professor of physics, he was to receive as salary two
thirds of the pay for a European Professor.
Jagdish rebelled and for three years refused to receive salary. Ultimately
success was his.
If
Science took some ‘bold’ steps, the credit should go to JC Bose. He firmly
believed that animal, vegetable and mineral kingdoms had much in common. He
proved that plants are as sensitive as humans. He used physical laboratory to
conduct biological experiments for the study of plant behaviour.
JC
Bose devised several ingenious instruments. He invented a small compact
instrument that could record the radiation of radio waves much shorter than
Hertz’s. He made electric waves travel from a radiator in a lecture hall to
another room 75 feet away and provide enough energy to ring a bell and fire a
pistol. He produced Babbler to measure the rate of photosynthesis in plants and
to record the amount of oxygen released from plants. He developed Resonant
Recorder and Oscillating Recorder. He proved that metals are sensitive to
changes in temperatures and react to external stimuli. He discovered
microwaves. He foresaw the possibility of storing solar energy by
photosynthesis. His mechanism to store information is a forerunner to
cybernetics.
But
the crowning glory came when he founded an institute where students devote
themselves to a disinterested search for knowledge and truth and which now
bears his name. If Father Lafont’s collection of scientific instruments made
Bose think in terms of having his own instruments for research, Lord Raleigh’s
Cavendish Laboratory made him dream of an institute in India that could compare
with Cavendish. Tagore composed a song specially for the inauguration.
In
essence, JC Bose had a profound vision of the basic unity of life. In his
thought and methods, he was a rebel and far ahead of his time. He deliberately
rejected offers of patenting his inventions. He was a scientist, not a
businessman. That was his strength. A weakness in today’s perception?
___________________________________________________________________________
2.
Thinking you’re
drinking enough water?
Lerroy
R. Perry
If
you’re not, you could end up with excess body fat, poor muscle tone, digestive
complications, muscle soreness—even water-retention problems.
Next
to air, water is the element most necessary for survival. A normal adult is 60
to 70 percent water. We can go without food for almost two months but without
water only a few days. Yet most people have no idea how much water they should
drink. In fact, many live in a dehydrated state.
Without
water, we’d be poisoned to death with our own waste products. When the kidneys
remove uric acid and urea, these must be dissolved in water. If there isn’t
enough water, wastes are not removed as effectively and may build up as kidney
stones. Water is also vital for chemical reactions in digestion and metabolism.
It carries nutrients and oxygen to cells through the blood and helps to cool
the body through perspiration. Water also lubricates the joints.
We
even need water to breathe: our lungs must be moist to take in oxygen and
excrete carbon dioxide. It is possible to lose a pint of liquid each day by
exhaling.
So
if you don’t drink sufficient water, you can impair every aspect of your
physiology. Dr. Howard Flaks, a bariatric (obesity) specialist in Beverley
Hills, Calif, says: “By not drinking enough water, many people incur excess
body fat, poor muscle tone and size, decreased digestive efficiency and organ
function, increased toxicity in the body, joint and muscle soreness and water
retention.”
Water
retention? If you’re not drinking enough, your body may retain water to
compensate. Paradoxically, fluid retention can sometimes be eliminated by
drinking more water, not less.
“Proper
water intake is a key to weight loss,” says Dr. Donald Robertson, medical
director of the Southwest Bariatric Nutrition Center in Scottsdale, Arizona.
“If people who are trying to lose weight don’t drink enough water, the body
can’t metabolize the fat adequately. Retaining fluid also keeps weight up.”
The
minimum for a healthy person is eight to ten eight-ounce glasses a day,” says
Dr. Flaks. “You need more if you exercise a lot or live in a hot climate. And
overweight people should drink in an extra glass for every 25 pounds they
exceed their ideal weight. Consult your own physician for their
recommendations.”
At
the International Sports Medicine Institute, we have a formula for daily water
intake: ½ ounce per pound of body weight if you’re not active (that is ten
eight-ounce glasses if you weigh 160 pounds), and 2/3 ounce per pound if you’re
athletic (13 to 14 glasses a day, at the same weight).
Your
intake should be spread throughout the day and evening. You may wonder: If I
drink too much, won’t I constantly be running to the bathroom? Yes. But after a
few weeks, your bladder tends to adjust and you urinate less frequently but in
larger amounts.
And
by consuming those eight to ten glasses of water throughout the day, you could
be on your way to a healthier, leaner body.
___________________________________________________________________________
3.
self-esteem
All
of us would like to think that we are able to think, decide, act and succeed in
life. It’s only natural. So when we admire ourselves for the way they think,
for the way we act, we have self-esteem. When we have confidence
in ourselves, when we are sure about how we think, how we act, we have self-confidence.
When we respect ourselves for our beliefs and actions, we have self-respect.
When we have a good opinion and are happy about ourselves and our actions, we
have self-esteem and this leads to self- confidence and self-respect.
But
it’s not uncommon for us to have self-doubts because others around us may feel
differently about us from what we feel about ourselves. Then we come under the
influence of pressure because of judgements passed by others.
judgements
What
happens in law courts? Judgements are delivered. Some win cases and are happy.
Some lose cases and are unhappy. What happens in society? Judgements occur
around us and within us. They make us happy or unhappy.
We
judge others. When your dad presses the accelerator and the speedometer jumps
to 120, you scream, “Dad!” When your mother cries, “I give up!” because you
don’t stop speeding, you wail, “Have a heart, Mom!” When a bus driver squeezes
past between the vehicles on his left and on his right, you blow your top.
Others
judge us. You clock 12 seconds in the 100 meter dash and the crowd claps. You
come out of water after a three-minute stay under it and your friends hug you.
You receive a gift voucher for answering a question rightly and your family is
all smiles. On all these occasions, your self-esteem goes up a notch.
Others
judge us. You skid and land on your back after stepping on a banana peel and
people laugh. Your teacher punishes you for a wrong-doing and your classmates
pity you. You score low marks and your father hollers at you. On all these
occasions, your self-esteem takes a dive.
We
judge ourselves.
You stop right on the line as amber turns to red and you pat yourself. You snatch
a child from the speeding four wheels and you feel proud. You can’t speak
English like your peers and you feel awful. Your maths teacher turns round from
the board and fear grips you. And your self-esteem gets affected.
Such
judgements of others by us, us by others, us by ourselves go on all the time.
what
do we judge?
What
we think of ourselves is important to us—as good or bad persons, as weak or
strong persons, as logical or illogical persons. What we think or don’t think,
how we think or don’t think, what we do or don’t do, what we believe or don’t
believe in are important to us. What others think of us is also very important
to us.
why
do we judge?
Judging
is like breathing. It’s constant and a basic human need. More often than not,
it happens in spite of us and it happens whether we like it or not. However,
it’s essential for normal and healthy development.
how
do we judge?
To
judge others and ourselves, we use certain values our parents and our society
have provided. We see ourselves and others in terms of thinking, behaviour,
beliefs in comparison with these values and with those of others.
Such
incessant judgements improve or worsen our self-esteem. When judgements are
positive and favourable, self-esteem is high. When judgements are negative and
unfavourable, self-esteem is low. Awards, acceptance, encouragement,
appreciation, praise improve self-esteem. So we feel more good about ourselves.
Indifference, rejection, insults, criticism, mockery, punishment worsen
self-esteem. So we feel more bad about ourselves.
Suggestions
Our
self-esteem graph may soar or dip. If it soars, it’s good. If it dips, what do
we do?
1.
It’s natural or normal to feel low. But we should continue to
believe in ourselves .
2.
We should remember we’re not alone. There are several others,
even famous people, who have low or poor
self-esteem.
3.
We should realise everyone of us is unique. [Stop comparing
yourself
with others.]
We have abilities that others don’t have.
4.
Avoid those who laugh at your weaknesses.
5.
We should identify our strengths and weaknesses.
Let’s ignore weaknesses unless they hinder
growth.
6.
We should exercise our right to decide, define, describe our
weaknesses.
7.
We should take steps to eliminate one weakness at a time.
8.
We should listen to others but only we should decide what to do
and what not to do.
9.
We should own up our failures.
We shouldn’t blame them on somebody else.
10.
No one succeeds all the time; failures are part of life.
11.
Analyse failure. Identify the source. Next time round, make it a
success.
12.
We should always remember we are the architects of our
successes and failures.
13.
Stay with those who support you by telling you your strengths.
Finally,
our thinking is based on events. But events are not facts.
___________________________________________________________________________
4.
The Game of
Chess
Introduction
Chess,
as we know it today, involves intricately skillful interplay of varied
abilities of the mind. It also requires extremely careful planning of your
moves in anticipation of how your opponent plans moves, and readjustment of
your planned moves in case of a surprise move or two by your opponent.
Origin
Here
is an interesting story related to chess.
In
the sixth century A.D., an Indian King, Balhait, was disturbed by the
prevalence of gambling and the addiction with the games of pure luck. He
summoned Sissa and requested the wise man to create a game, which would require
pure mental qualities of prudence, foresight, valour, judgement, endurance,
circumspection and analytical and reasoning ability, to oppose the teaching of
games in which chance (luck) decides the outcome by the throw of dice.
Sissa
returned to the court of the King with a board (Ashtapada) consisting of 8x8=64
squares with rules not much different from the ones we use today. There were
two armies of different colours consisting of 32 men each in which the object
was to capture or slay the king of the opposing army.
However,
Chess is believed to have existed much earlier in India.
In
his ‘The History of Chess’ published in 1860 by Wm. H. Allen & Co, Duncan
Forbes, (Professor of Oriental Languages in King’s College London) says in his
Preface, ‘I think I have proved that the GAME OF CHESS was invented in India,
and nowhere else, in very remote times; and from that source I have endeavoured
to trace its diffusion throughout the various regions of the Old World.’ He
further states that the present game of chess had its origins in Chaturanga and
that ‘It claims an antiquity of nearly 5000 years; and, with every allowance
for poetic license, there is margin enough left to prove that it was known and
practised in India long before it found its way to any other region, not
excepting the very ancient empire of China—even on the showing of the
Celestials themselves.’(ibid)
Chaturanga, ‘familiarly spoken of in the Puranas’ (ibid), had by the
time of Mahabharata become popular enough for Yudhistira, the eldest of the
Pandavas, to wish to learn it and so requested Vyasa to explain to him in
detail how the game was played. Vyasa then explained the game in all its
details.
Chaturanga
means ‘four members’. It consisted of four
divisions [of the military] – infantry, cavalry, elephants, and chariotry, represented by the pieces that would evolve into the modern pawn, knight,
bishop, and rook, respectively). It was then played by either four or two players
with the throw of dice and was thought of as gambling. In his ‘View of the History
&C’ Vol.iv, p.433, Ward says, ‘…Yudhistira again encounters Shakuni at
Chess, and again loses all.’(ibid) In his Smrithi, Manu, the law-giver,
prohibited two types of ‘gaming’: Dyuta (playing with inanimate things) and
Samahwaya (playing with animate things). Chaturanga was considered to be a
Dyuta gambling game. Therefore chaturanga began to be played without turning or
rolling the dice.
Other
parts of the world
The
game was introduced into Persia from India during the reign of Kisra
Naushivawan
and
was known as ‘chatrang’. And after
the Islamic conquest of Persia, it came to be known as ‘shatranj’. This new name was imported into India through the Muslim
rule. As a strategy board game played in China, chess is
believed to have been derived from the Indian chaturanga. This was transformed
and assimilated into the game xiangqi where the
pieces are placed on the intersection of the lines of the board rather than
within the squares. The object of the Chinese variation is similar to
chaturanga, that is, to render helpless the opponent's king, sometimes known as
general. A prominent
variant of chess in East Asia is the game of Shogi, transmitted
from India to China and Korea before it finally reached Japan. The two
distinguishing features of Shogi are: 1) the captured pieces may be reused by
the captor and played as part of the captor's forces, and 2) pawns capture as
they move, one square straight ahead.
Shatranj made
its way via the expanding Islamic Arabian empire to Europe and the Byzantine
empire. Chess appeared in Southern
Europe during the end of the first millennium, often introduced to new
lands by conquering armies, such as the Norman Conquest of England. Chess
remained largely unpopular in Northern Europe but started gaining popularity as
soon as figure pieces were introduced.
Chess in Russia goes back more than a thousand years
to the Byliny, the ancient heroic epic poem period. It seems to have been
introduced from the East, as distinct from the Arabic influence in Western
Europe. In the former Soviet Union Chess was supported by the government.
During Stalin’s time victories in international Chess tournaments were used to
propagandize the notion that the best minds flourished under the Communist
system. Top players had the assistance of 40, sometimes 50 aides. They analyzed
positions, performed physical therapy and provided sophisticated psychological
profiles of opponents.
By
the fifteen century, books began to be written on the theory of playing chess.
The game was played in coffee houses. In the nineteenth century, chess clubs
were formed and competitions were held between cities in England. Chess
problems became part of newspapers.
Competitive
chess
Competitive
chess became visible in 1834, and the 1851 London Chess tournament raised
concerns about the time taken by the players to deliberate their moves. On
recording time it was found that players often took hours to analyze moves, and
one player took as much as two hours and 20 minutes to think over a single move
at the London tournament. The following years saw the development of speed
chess, five-minute chess and the most popular variant, a version allowing a
bank of time to each player in which to play a previously agreed number of
moves, e.g. two hours for 30 moves. In the final variant, the player who made
the predetermined number of moves in the agreed time received additional time
budget for his next moves. Penalties for exceeding a time limit came in form of
fines and forfeiture. Since fines were easy to bear for professional players,
forfeiture became the only effective penalty; this added "lost on
time" to the traditional means of losing such as checkmate and
resigning.
The
first modern chess tournament was held in London in 1851. Deeper insight into
the nature of chess came with two younger players. Paul Morphy,
an American and an extraordinary chess
prodigy, won against all important competitors, including Anderssen, during
his short chess career between 1857 and 1863. Morphy's success stemmed from a
combination of brilliant attacks and sound strategy; he intuitively knew how to
prepare attacks. Prague-born
Wilhelm
Steinitz later described how to avoid weaknesses in one's own position and
how to create and exploit such weaknesses in the opponent's position. In
addition to his theoretical achievements, Steinitz founded an important
tradition: his triumph over the leading German master Johannes Zukertort in 1886 is regarded as the
first official World Chess Championship. Steinitz lost
his crown in 1894 to a much younger German mathematician Emanuel
Lasker, who maintained this title for 27 years, the longest tenure of all
World Champions.
FIDE,
the world chess federation, was started in 1924 in Paris. After the death of
Alekhine, Russian-French, in 1946, a new World Champion was sought in a
tournament of elite players ruled by FIDE, who have controlled the title since
then, with one interruption. The winner of the 1948 tournament, Russian Mikhail
Botvinnik, started an era of Soviet dominance in the chess world. Until the end of the
Soviet Union, there was only one non-Soviet champion, American Bobby
Fischer (champion 1972–1975).
FIDE
set up a new system of qualifying tournaments and matches. The world's
strongest players were seeded into "Interzonal
tournaments", where they were joined by players who had qualified from
"Zonal tournaments". The leading finishers in these Interzonals would
go on the "Candidates" stage, which was initially a tournament, later
a series of knock-out matches. The winner of the Candidates
would then play the reigning champion for the title. A champion defeated in a
match had a right to play a rematch a year later. This system worked on a
three-year cycle. Later it abolished the automatic right of a deposed champion
to a rematch.
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5.
being organised
(a life core skill)
No
one including you likes to spend more energy, time and effort in doing one
activity. But more often than not, this is what happens. Because lethargy
(laziness) controls you, because you’re not in the mood (tendency to postpone
an activity), because you are indifferent to consequences (you don’t see any
meaning or purpose in doing an activity), because you give priority to an
activity that appeals to your senses or that gives you immediate pleasure (like
spending time on SMS, chatting on the net, playing games on the net, chatting
on the phone, sleeping overtime) and so you don’t bother (even though you may
be realising it) how such activity eats into time meant for other activities.
You
are unorganised if you do things as
and when you feel like doing them; it doesn’t matter to you when you do them as
long as you do them. You are disorganised
if you mix up your priorities; that is, either you shift priorities or it
doesn’t matter to you if you do one instead of another.
When
you organise something, you arrange it to happen; when you organise something,
you arrange the parts of something into a particular order or structure. When
you are organised,
you
avoid wasting your physical movements, mental energy, you gain confidence in
your ability to perform. Planning and implementing becomes then that much
easier.
When
you’re organised, you prepare a performance time table. This implies you become
disciplined, efficient and effective. And as a result you get results.
Naturally!
To
get results, you, as a student, need to have a day time table, a week time
table, a semester time table.
In
your day time table, you need to apportion (allocate) time for waking up,
getting ready for college (dressing up and completing work you need to present
in class or to lecturer), for a little rest and a bite after your return home
from college, for home work, for reading or revising the day’s lessons, for
internet activity related to home work or knowing more about a matter related
to the day’s lesson, for watching TV, for supper, for sleep.
You
achieve efficiency when you have a
clear mental picture of (1) what you want to do (2) performance criteria (to
judge level of success) (3) a rough estimate of the time needed and (4) break
up of subtasks in sequence
You can be effective when you act on what
and how you’ve planned, and be flexible to make a few necessary changes
in the plan of action. Stick to the schedule, and as you perform step by step,
keep judging the activity process.
Being
organised makes you reliable, trustworthy, competent, consistent, proactive and
in all probability successful.
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